Search results
Robert Hakim (19 December 1907 – 9 February 1992) and Raymond Hakim (23 August 1909 – 14 August 1980) were Egyptian-born brothers who usually worked in collaboration as film producers in France and other European countries. Their brother André Hakim was also a film producer.
Robert Hakim was born on 19 December 1907 in Alexandria, Egypt. He was a producer, known for Belle de Jour (1967), Purple Noon (1960) and The Good Time Girls (1960). He died on 9 February 1992 in Paris, France.
- Producer, Additional Crew
- December 19, 1907
- Robert Hakim
- February 9, 1992
Jun 10, 2024 · Dr. Robert Hakim CIDP and Physical Therapy: How Supervised Exercises Can Help Improve Quality of Life Chronic inflammatory demyelinating polyneuropathy (CIDP) reduces your ability to perform activities that are considered “standard” or “normal” for a healthy person to complete.
The Hunchback of Notre Dame (in French Notre-Dame de Paris) is a 1956 French-Italian CinemaScope film version of Victor Hugo 's 1831 novel, directed by Jean Delannoy and produced by Raymond Hakim and Robert Hakim. It stars American actor Anthony Quinn and Italian actress Gina Lollobrigida.
HAKIM, Raymond and Robert. Producers. Nationality: Egyptian. Born: Robert in Alexandria, 19 December 1907; Raymond in Alexandria, 23 August 1909. Education: Both brothers educated in France. Career: Both worked for Paramount in France; 1934—went into independent production; 1940—moved to Hollywood; 1950—returned to France; Robert went ...
Raymond Hakim and Robert - Writer. Producers. Nationality: Egyptian. Born: Robert in Alexandria, 19 December 1907; Raymond in Alexandria, 23 August 1909. Education: Both brothers educated in France. Career: Both worked for Paramount in France; 1934—went into independent production; 1940—moved to Hollywood; 1950—returned to France; Robert ...
Robert Hakim (1907 ) Both Egyptian born in Alexandria, Robert (b. 1907) and Raymond (b. 1909), were educated in France. They both worked for Paramount in France. They then became independent producers in 1934, financing Duvivier’s Pépé le Moko and Renoir’s La Bête Humaine.
