The Miracle of Our Lady of Fatima
1952
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John Brahm (August 17, 1893 – October 12, 1982) was a German film and television director. His films include The Undying Monster (1942), The Lodger (1944), Hangover Square (1945), The Locket (1946), The Brasher Doubloon (1947), and the 3D horror film, The Mad Magician (1954).
John Brahm. Director: The Twilight Zone. The son of comedian and theatre director Ludwig Brahm, Hans followed in his father's footsteps and began his career on the stages of Vienna, Berlin and Paris.
John Brahm. Director: The Twilight Zone. The son of comedian and theatre director Ludwig Brahm, Hans followed in his father's footsteps and began his career on the stages of Vienna, Berlin and Paris.
The Lodger: Directed by John Brahm. With Merle Oberon, George Sanders, Laird Cregar, Cedric Hardwicke. A landlady suspects that her new lodger is Jack the Ripper.
John Brahm (August 17, 1893 – October 12, 1982) was a film and television director. His films include The Undying Monster (1942), The Lodger (1944), Hangover Square (1945), The Locket (1946), The Brasher Doubloon (1947), and the 3D horror film The Mad Magician (1954).
John Brahm (August 17, 1893 – October 12, 1982) was a film and television director. His films include The Undying Monster (1942), The Lodger (1944), Hangover Square (1945), The Locket (1946), The Brasher Doubloon (1947), and the 3D horror film The Mad Magician (1954).
The Locket is a 1946 American psychological thriller film noir directed by John Brahm, starring Laraine Day, Brian Aherne, Robert Mitchum, and Gene Raymond, and released by RKO Pictures.
Actor. Divorced, later married cartoonist Al Hirschfield.
John Brahm. Director. (1893-1982) Born August 17, Hamburg, Germany. 50 Key Noir Directors. Key Production Country: USA. Key Genres: Drama, Thriller, Mystery, Crime Drama, Action, Horror.
Director John Brahm was a German immigrant with a background in Expressionist theater, whose career is dotted with examples of Gothic horror and film noir. Together with cinematographer Lucien Ballard, Brahm frames every shot with deliberate care, using shadows, canted angles, silhouettes, mirror reflections, distorted points of view, and fog ...
