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  1. Nancy Miller
    American television producer and writer

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  1. View the profiles of people named Nancy Miller. Join Facebook to connect with Nancy Miller and others you may know. Facebook gives people the power to...

  2. Nancy K. Miller (born 21 February 1941) is an American literary scholar, feminist theorist and memoirist. Currently a Distinguished Professor of English and Comparative Literature at the CUNY Graduate Center, Miller is the author of several books on feminist criticism, women’s writing, and most recently, family memoir, biography, and trauma.

  3. www.imdb.com › name › nm0589043Nancy Miller - IMDb

    Nancy Miller. Writer: Saving Grace. Nancy Miller was born in Oklahoma, USA. She is known for Saving Grace (2007), Nashville (2012) and Leaving L.A. (1997).

    • Oklahoma, USA
    • 1 min
    • Writer, Producer, Additional Crew
  4. en.wikipedia.org › wiki › Nancy_MillerNancy Miller - Wikipedia

    Nancy Miller is an American TV writer and producer. Her production company is Paid Our Dues Productions. In 2008, she signed an overall deal with Fox Television Studios. [1] Credits. Against The Wall. Saving Grace. Under. The Closer. Threat Matrix. CSI: Miami. Any Day Now. Leaving L.A. Profiler. The Monroes. The Marshal. The Cosby Mysteries.

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  6. Welcome to the website of Nancy K. Miller, feminist author, memoirist, teacher. Recent Books. Feminists Reclaim Mentorship, is a new collection of personal essays from 26 contributors, co-edited with cultural critic Tahneer Oksman.

  7. Apr 30, 2021 · Nancy K. Miller is the author or editor of more than a dozen books, most recently What They Saved: Pieces of a Jewish Past, winner of the Jewish Journal Prize for 2012, and the story of a quest to recreate her family’s lost history. A well-known feminist scholar, Miller has published family memoirs, personal essays, and literary criticism.

  8. Jun 3, 2020 · By Jeffrey J. Williams. N ancy K. Millers most recent book, My Brilliant Friends: Our Lives in Feminism (2019), reflects on friendship—especially among women—and loss. It also portrays the professional struggles required to do feminist literary criticism, especially when there were no models for it. In particular, Miller recounts here ...

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