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  1. Music (Scoring of a Musical Picture) - Ray Heindorf, Lou Forbes Music (Song) - So In Love in "Wonder Man" Music by David Rose; Lyrics by Leo Robin Sound Recording - Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director

  2. Until the Academy Awards for 1945 (awarded in 1946) any number of songs could be nominated for the award. For the 1945 awards, 14 songs were nominated. From 1946 to 2011, each member of the Music Branch of the Academy was asked to vote using a points system of 10, 9.5, 9, 8.5, 8, 7.5, 7, 6.5 or 6 points.

    • Best Motion Picture
    • Directing
    • Actor
    • Actress
    • Actor in A Supporting Role
    • Actress in A Supporting Role
    • Writing
    • Music
    • Film Editing
    • Art Direction

    The Best Years of Our Lives – Samuel Goldwyn Productions Henry V – J. Arthur Rank-Two Cities Films It’s a Wonderful Life – Liberty Films The Razor’s Edge – 20th Century-Fox The Yearling– Metro-Goldwyn-Mayer

    The Best Years of Our Lives – William Wyler Brief Encounter – David Lean It’s a Wonderful Life – Frank Capra The Killers – Robert Siodmak The Yearling– Clarence Brown

    Fredric March – The Best Years of Our Lives Laurence Olivier – Henry V Larry Parks – The Jolson Story Gregory Peck – The Yearling James Stewart – It’s a Wonderful Life

    Olivia de Havilland – To Each His Own Celia Johnson – Brief Encounter Jennifer Jones – Duel in the Sun Rosalind Russell – Sister Kenny Jane Wyman – The Yearling

    Charles Coburn – The Green Years William Demarest – The Jolson Story Claude Rains – Notorious Harold Russell – The Best Years of Our Lives Clifton Webb – The Razor’s Edge

    Ethel Barrymore – The Spiral Staircase Anne Baxter – The Razor’s Edge Lillian Gish – Duel in the Sun Flora Robson – Saratoga Trunk Gale Sondergaard – Anna and the King of Siam

    The Dark Mirror – Vladimir Pozner The Strange Love of Martha Ivers – Jack Patrick The Stranger – Victor Trivas To Each His Own – Charles Brackett Vacation from Marriage– Clemence Dane

    “All Through The Day” Centennial Summer – Music by Jerome Kern; Lyrics by Oscar Hammerstein II “I Can’t Begin To Tell You” – The Dolly Sisters – Music by James Monaco; Lyrics by Mack Gordon “Ole Buttermilk Sky” – Canyon Passage – Music by Hoagy Carmichael; Lyrics by Jack Brooks “On The Atchison, Topeka And The Santa Fe” – The Harvey Girls – Music...

    The Best Years of Our Lives – Daniel Mandell It’s a Wonderful Life – William Hornbeck The Jolson Story – William Lyon The Killers – Arthur Hilton The Yearling– Harold Kress

    Anna and the King of Siam – Art Direction: Lyle Wheeler, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes Kitty – Art Direction: Hans Dreier, Walter Tyler; Interior Decoration: Sam Comer, Ray Moyer The Razor’s Edge– Art Direction: Richard Day, Nathan Juran; Interior Decoration: Thomas Little, Paul S. Fox

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  4. 18th Academy Awards; Date: March 7, 1946: Site: Grauman's Chinese Theatre, Hollywood, California, USA: Hosted by: James Stewart Bob Hope: Highlights; Best Picture: The Lost Weekend: Most awards: The Lost Weekend (4) Most nominations: The Bells of St. Mary's (8)

    Best Motion Picture
    Best Director
    The Lost Weekend – Charles Brackett for ...
    Billy Wilder – The Lost Weekend ‡ Leo ...
    Ray Milland – The Lost Weekend as Don ...
    Joan Crawford – Mildred Pierce as Mildred ...
    James Dunn – A Tree Grows in Brooklyn as ...
    Anne Revere – National Velvet as Mrs ...
    Marie-Louise – Richard Schweizer ‡ ...
    The Lost Weekend – Charles Brackett and ...
  5. Song of the South premiered in Atlanta in November 1946 and the remainder of its initial theater run was a financial success. The song " Zip-a-Dee-Doo-Dah " won the 1947 Academy Award for Best Original Song [4] and Baskett received an Academy Honorary Award for his performance as Uncle Remus.

  6. Oct 28, 2019 · Song of the South (1946) 84. “Zip-a-Dee-Doo-Dah”. It may be hard to imagine, but in 1947, the Best Original Song Oscar went to “Zip-a-Dee-Doo-Dah.”. It would take several decades for people to realize how uncomfortably racist the film is, but that hasn’t stopped the song from continuously being played in Disney theme parks.

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