Sodom and Gomorrah
1963
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Gabriele Tinti (22 August 1932 – 12 November 1991) was an Italian actor who was married to actress and model Laura Gemser. [1] Biography. Tinti was born in Molinella, Emilia-Romagna. [2] . He started his career in the 1948 movie Difficult Years, and eventually got his first major starring role in the 1954 movie Chronicle of Poor Lovers.
Gabriele Tinti (1932-1991) was an Italian actor who appeared in over 140 films and TV shows. He was known for his roles in Endgame - Bronx lotta finale, The Flight of the Phoenix, and Le sette spade del vendicatore.
- January 1, 1
- Molinella, Emilia-Romagna, Italy
- January 1, 1
- Rome, Lazio, Italy
About. Gabriele Tinti ( blog) is an Italian poet and writer. He has worked with the J. Paul Getty Museum, the Metropolitan Museum of Art, the British Museum, the Los Angeles County Museum of Art, the National Roman Museum, the Capitolini Museums, the Archeological Museum in Naples, the Ara Pacis Museums and the Glyptothek of Munich composing ...
Career. Gabriele Tinti has worked with the J. Paul Getty Museum, the Metropolitan Museum of Art, the British Museum, the Los Angeles County Museum of Art, the National Roman Museum, the Capitoline Museums, The Ara Pacis, the National Archaeological Museum, Naples and the Glyptothek of Munich composing poems for ancient works of art including ...
Gabriele Tinti, all'anagrafe Gastone Tinti ( Molinella, 22 agosto 1932 – Roma, 12 novembre 1991 ), è stato un attore italiano . Indice. 1 Biografia. 2 Vita privata. 3 Filmografia. 3.1 Televisione. 4 Doppiatori italiani. 5 Note. 6 Altri progetti. 7 Collegamenti esterni. Biografia.
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Nov 12, 1991 · Gabriele Tinti was a blue-eyed Italian actor who appeared in films from the 1950s to the 1990s. He worked with director Joe D'Amato on several erotic and exploitation movies, and died of lung cancer in the early 90s.
Nov 7, 2016 · Gabriele Tinti curates a collection of seventy suicide notes from various authors and contexts, challenging the reader to witness and empathize. The book explores the paradox of representation, the relational discourse, and the trauma of self-writing in the face of death.
