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Cinematography (Black-and-White) - Charles B. Lang, Jr. Music (Song) - The Facts Of Life in "The Facts of Life" Music and Lyrics by Johnny Mercer Writing (Story and Screenplay--written directly for the screen) - Norman Panama, Melvin Frank
- Best Motion Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Fanny – Joshua Logan The Guns of Navarone – Carl Foreman The Hustler – Robert Rossen Judgment at Nuremberg – Stanley Kramer West Side Story– Robert Wise
The Guns of Navarone – J. Lee Thompson The Hustler – Robert Rossen Judgment at Nuremberg – Stanley Kramer La Dolce Vita – Federico Fellini West Side Story– Robert Wise, Jerome Robbins
Charles Boyer – Fanny Paul Newman – The Hustler Maximilian Schell – Judgment at Nuremberg Spencer Tracy – Judgment at Nuremberg Stuart Whitman – The Mark
Audrey Hepburn – Breakfast at Tiffany’s Piper Laurie – The Hustler Sophia Loren – Two Women Geraldine Page – Summer and Smoke Natalie Wood – Splendor in the Grass
George Chakiris – West Side Story Montgomery Clift – Judgment at Nuremberg Peter Falk – Pocketful of Miracles Jackie Gleason – The Hustler George C. Scott – The Hustler
Fay Bainter – The Children’s Hour Judy Garland – Judgment at Nuremberg Lotte Lenya – The Roman Spring of Mrs. Stone Una Merkel – Summer and Smoke Rita Moreno – West Side Story
Breakfast at Tiffany’s – George Axelrod The Guns of Navarone – Carl Foreman The Hustler – Sidney Carroll, Robert Rossen Judgment at Nuremberg – Abby Mann West Side Story– Ernest Lehman
“Bachelor In Paradise” – Bachelor in Paradise – Music by Henry Mancini; Lyrics by Mack David “Love Theme From El Cid (The Falcon And The Dove)” – El Cid – Music by Miklos Rozsa; Lyrics by Paul Francis Webster “Moon River” – Breakfast at Tiffany’s – Music by Henry Mancini; Lyrics by Johnny Mercer “Pocketful Of Miracles” – Pocketful of Miracles – Mus...
Fanny – William H. Reynolds The Guns of Navarone – Alan Osbiston Judgment at Nuremberg – Frederic Knudtson The Parent Trap – Philip W. Anderson West Side Story– Thomas Stanford
The Absent Minded Professor – Edward Colman The Children’s Hour – Franz F. Planer The Hustler – Eugen Shuftan Judgment at Nuremberg – Ernest Laszlo One, Two, Three– Daniel L. Fapp
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
Mar 28, 2021 · The Hustler is the first black and white film on our list, and was awarded the Best Achievement in Cinematography Oscar back when the category was still divided into black and white and color sub-categories.
In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography.
- The Editors of Encyclopaedia Britannica
Cinematography (Black-and-White) - Sam Leavitt Film Editing - Louis R. Loeffler Best Motion Picture - Otto Preminger, Producer Writing (Screenplay--based on material from another medium) - Wendell Mayes
Apr 19, 2024 · From 1929 to 1967, there were separate awards for color and black-and-white cinematography. Floyd Crosby won the award for Tabu in 1931, the last silent film to win in this category. Hal Mohr won the only write-in Academy Award in 1935 for Cleopatra.