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When did cinematography become a part of the Academy Awards?
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* Art Direction (Black-and-White) - Richard Day * Cinematography (Black-and-White) - Boris Kaufman * Directing - Elia Kazan * Film Editing - Gene Milford * Best Motion Picture - Sam Spiegel, Producer * Writing (Story and Screenplay) - Budd Schulberg
The 27th Academy Awards were held on March 30, 1955 to honor the best films of 1954, hosted by Bob Hope at the RKO Pantages Theatre in Hollywood with Thelma Ritter hosting from the NBC Century Theatre in New York City.
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
Mar 28, 2021 · By the 1940s, two full Academy Awards were given out for cinematography each year, divided into black & white and color. This would continue until 1967 when color and black & white films would finally be judged against each other for a single Best Achievement in Cinematography award.
Feb 5, 2014 · CINEMATOGRAPHY (Black-and-White) The Country Girl – John F. Warren Executive Suite – George Folsey On the Waterfront – Boris Kaufman Rogue Cop – John Seitz Sabrina – Charles Lang, Jr. CINEMATOGRAPHY (Color) The Egyptian – Leon Shamroy Rear Window – Robert Burks Seven Brides for Seven Brothers – George Folsey The Silver Chalice ...
Check winners and nominations of 1955 Academy Awards. Check awards winners of 28th Academy Awards. ... Academy Award for Best Cinematography, Black-and-White ...
In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography.
