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Cinematography (Black-and-White) - Russell Harlan Directing - Robert Mulligan Music (Music Score--substantially original) - Elmer Bernstein
- Best Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
America America – Elia Kazan Cleopatra – Walter Wanger How the West Was Won – Bernard Smith Lilies of the Field – Ralph Nelson Tom Jones– Tony Richardson
America America – Elia Kazan The Cardinal – Otto Preminger Federico Fellini’s 8-1/2 – Federico Fellini Hud – Martin Ritt Tom Jones– Tony Richardson
Albert Finney – Tom Jones Richard Harris – This Sporting Life Rex Harrison – Cleopatra Paul Newman – Hud Sidney Poitier – Lilies of the Field
Leslie Caron – The L-Shaped Room Shirley MacLaine – Irma La Douce Patricia Neal – Hud Rachel Roberts – This Sporting Life Natalie Wood – Love with the Proper Stranger
Nick Adams – Twilight of Honor Bobby Darin – Captain Newman, M.D. Melvyn Douglas – Hud Hugh Griffith – Tom Jones John Huston – The Cardinal
Diane Cilento – Tom Jones Dame Edith Evans – Tom Jones Joyce Redman – Tom Jones Margaret Rutherford – The V.I.P.s Lilia Skala – Lilies of the Field
Captain Newman, M.D. – Richard L. Breen, Phoebe Ephron, Henry Ephron Hud – Irving Ravetch, Harriet Frank, Jr. Lilies of the Field – James Poe Sundays and Cybele – Serge Bourguignon, Antoine Tudal Tom Jones– John Osborne
“Call Me Irresponsible” – Papa’s Delicate Condition – Music by James Van Heusen; Lyrics by Sammy Cahn “Charade” – Charade – Music by Henry Mancini; Lyrics by Johnny Mercer “It’s A Mad, Mad, Mad, Mad World” – It’s a Mad, Mad, Mad, Mad World – Music by Ernest Gold; Lyrics by Mack David “So Little Time” – 55 Days at Peking – Music by Dimitri Tiomkin; ...
The Cardinal – Louis R. Loeffler Cleopatra – Dorothy Spencer The Great Escape – Ferris Webster How the West Was Won – Harold F. Kress It’s a Mad, Mad, Mad, Mad World– Frederic Knudtson, Robert C. Jones, Gene Fowler, Jr.
The Balcony – George Folsey The Caretakers – Lucien Ballard Hud – James Wong Howe Lilies of the Field – Ernest Haller Love with the Proper Stranger– Milton Krasner
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
The 35th Academy Awards, honoring the best in film for 1962, were held on April 8, 1963, at the Santa Monica Civic Auditorium in Santa Monica, California, hosted by Frank Sinatra. The year's most successful film was David Lean's Lawrence of Arabia, with 10 nominations and 7 wins, including Best Picture and Lean's second win for Best Director.
- April 8, 1963
- Lawrence of Arabia (7)
- Richard Dunlap
- Arthur Freed
Cinematography (Black-and-White) - Ernest Haller Best Picture - Ralph Nelson, Producer Writing (Screenplay--based on material from another medium) - James Poe
The epic grandeur of Lawrence of Arabia took home seven Oscars®, including Best Picture and Best Director for David Lean. Another soon-to-be classic, To Kill a Mockingbird took home three statuettes, including Best Actor Gregory Peck, who had won on his fifth nomination.
It was nominated for seven Academy Awards, winning three; Patricia Neal won Best Actress, Melvyn Douglas won Best Supporting Actor, and James Wong Howe the Academy Award for Best Black and White Cinematography. Howe's use of contrast to create space and his selection of black-and-white was acclaimed by critics. In later reviews, the film ...
