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  1. Geoffrey Zanelli (born September 28, 1974) is an American composer working primarily in the medium of film, television, and video game scores. His early career was notable for scoring additional music on roughly 30 film scores written by Hans Zimmer , John Powell , Harry Gregson-Williams , and Steve Jablonsky including several blockbuster films.

  2. Emmy Award-winning composer Geoff Zanelli is a standout in the film and television scoring industry, garnering accolades and recognition for his diverse musical voice. Zanelli has composed for directors such as Gore Verbinski and Deon Taylor; writer/directors David Koepp, Peter Hedges and David Duchovny; producers Jerry Bruckheimer, Steven ...

  3. Biography. Emmy Award-winning composer Geoff Zanelli is a standout in the film and television scoring industry, garnering accolades and recognition for his diverse musical voice. Zanelli has composed for directors such as Gore Verbinski and Ridley Scott; writer/directors David Koepp, Peter Hedges and David Duchovny; producers Jerry Bruckheimer ...

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  5. www.imdb.com › name › nm0952944Geoff Zanelli - IMDb

    Geoff Zanelli. Emmy Award-winning composer Geoff Zanelli is a standout in the film and television scoring industry, garnering accolades and recognition for his diverse musical voice. Zanelli has composed for directors such as Gore Verbinski and Ridley Scott; writer/directors David Koepp, Peter Hedges and David Duchovny; producers Jerry ...

    • January 1, 1
    • 2 min
    • Westminster, California, USA
  6. Apr 1, 2022 · Emmy-award winning composer Geoff Zanelli is slated to compose the music for “ The First Lady ,” premiering on Showtime. The new hour-long anthology drama follows the lives of three of America ...

  7. Geoff Zanelli. 3,173 likes · 19 talking about this. Emmy Award-winning Composer of The First Lady, Maleficent: Mistress of Evil, Pirates of the Caribbean

  8. Geoff Zanelli. 8:01. Kainan Becomes King. Geoff Zanelli. 2:37. Score available from Amazon and iTunes. While he was editing the film, director Howard McCain heard some of my music and invited me to meet with him to talk about the score. Once we got together, it was clear I shared his enthusiasm for the project, and it clicked right away.

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