Search results
Peter Graham Scott (27 October 1923 – 5 August 2007) was an English television and film producer, television director, film director, film editor and screenwriter.
Peter Graham Scott was born on 27 October 1923 in East Sheen, Surrey, England, UK. He was a producer and director, known for The Onedin Line (1971), The Avengers (1961) and Danger Man (1960). He was married to Eve Martell. He died on 5 August 2007 in Windlesham, Surrey, England, UK.
- Producer, Director, Writer
- October 27, 1923
- Peter Graham Scott
- August 5, 2007
Peter Graham Scott was born on October 27, 1923 in East Sheen, Surrey, England, UK. He was a producer and director, known for The Onedin Line (1971), The Avengers (1961) and Danger Man (1960). He was married to Eve Martell. He died on August 5, 2007 in Windlesham, Surrey, England, UK.
- October 27, 1923
- August 5, 2007
Television producer, film and television director, film editor, and author. Graham Scott believed that his best work was represented by the many live dramas he produced for British television in the 1950s and 1960s—dramas that were rarely preserved on film or tape.
Jul 23, 2004 · Peter Graham Scott Peter was an film producer, film director and screenwriter. One of the producers and directors who shaped British television drama in its formative years, He was a key figure in television drama in the seventies and eighties and was responsible for top rating series including The Avengers, Mogul, The Troubleshooters, and ...
Aug 11, 2007 · Peter Graham Scott, who died on Sunday aged 83, was an award-winning producer behind many classic television series of the 1960s and 1970s including The Avengers, The Prisoner, The...
People also ask
Who is Peter Graham Scott?
Is Peter Graham Scott Dead or still alive?
Who is Peter Graham Co?
Who is Dr Graham Scott?
One of the producers and directors who shaped British television drama in its formative years, Peter Graham Scott brought a background in film editing and directing to his work that helped to move the small screen out of an era of lifeless, studio-bound productions and towards programmes that owed more to cinema than to the stage.
