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  1. Gustaf Molander

    Gustaf Molander

    Swedish film director

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  1. Gustaf Molander. Gustaf Harald August Molander (18 November 1888 – 19 June 1973) was a Swedish actor and film director. [1] . His parents were director Harald Molander, Sr. (1858–1900) and singer and actress Lydia Molander, née Wessler, and his brother was the director Olof Molander (1892–1966).

  2. Gustaf Molander. Director. Writer. Actor. IMDbPro Starmeter See rank. He attended the Royal Dramatic Theatre's acting school 1907-1909 and went on to become an actor at the same theatre 1913-1926. His first work for the movies was the script to Wanted - A Film Actress (1917) and the follow-up Thomas Graals bästa barn (1918).

    • January 1, 1
    • Helsinki, Finland
    • January 1, 1
    • Stockholm, Stockholms län, Sweden
  3. May 27, 2024 · Gustaf Molander. Jon Wengström , the archive Senior Curator of the Swedish Film Institute, has curated a programme dedicated to Swedish master Gustaf Molander. This retrospective will take place at Bologna's Il Cinema Ritrovato in June 2024.

  4. Overview. Born. November 18, 1888 · Helsinki, Finland. Died. June 19, 1973 · Stockholm, Stockholms län, Sweden (undisclosed) Mini Bio. He attended the Royal Dramatic Theatre's acting school 1907-1909 and went on to become an actor at the same theatre 1913-1926.

    • November 18, 1888
    • June 19, 1973
  5. A Woman's Face ( Swedish: En kvinnas ansikte) is a 1938 Swedish drama film directed by Gustaf Molander, based on the play Il était une fois... by Francis de Croisset. The cast includes Ingrid Bergman in the lead as a woman criminal with a disfigured face.

  6. Biography. Gustaf Harald August Molander (18 November 1888 – 19 June 1973) was a Swedish actor and film director. Known For. A Woman's Face. Intermezzo. Eva. Woman Without a Face. Ordet. Stimulantia. Ride Tonight! Swedenhielms. Directing. Writing. Acting. Crew.

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  8. Jun 9, 2015 · When Hollywood came calling to sign both Ingrid Bergman and Gustaf Molander for a remake of Intermezzo (1936), the actress and the director’s reluctance was probably no surprise, considering MGM’s famous difficulties with (among other stubborn Scandinavians) Garbo and her Svengali, Mauritz Stiller.

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