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  1. en.wikipedia.org › wiki › ThaïsThaïs - Wikipedia

    Thaïs or Thais (Greek: Θαΐς; flourished 4th century BC) was a famous Greek hetaira who accompanied Alexander the Great on his campaigns. Likely from Athens , she is most famous for instigating the burning of Persepolis .

  2. Thaïs ( French pronunciation: [ta.is]) is an opera, a comédie lyrique in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel Thaïs by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson, for whom Massenet ...

  3. Apr 11, 2024 · Thais was an Athenian courtesan who traveled with the army of Alexander the Great in its invasion of Persia. She is chiefly known from the story that represents her as having persuaded Alexander to set fire to the Achaemenian capital of Persepolis in the course of a drunken revel. The authenticity.

    • The Editors of Encyclopaedia Britannica
  4. Thaïs. When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the ...

  5. Thaïs (Massenet, Jules) Movements/Sections. 3 acts. Composition Year. 1894, revised 1898. Genre Categories. Lyric comedies; Theatrical Works; Operas; Related Works. Thaïs.

  6. About the opera Thais. Thaïs (pronounced tah-eess / ta:'i:s) is an opera in three acts by Jules Massenet to a French libretto by Louis Gallet based on the novel Thaïs by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sybil Sanderson, for whom Massenet had written the title ...

  7. Thaïs. Take one ascetic monk named Athanaël and one ravishingly beautiful courtesan named Thaïs, add Massenet’s sensual, melodious music, with equal dashes of eroticism and religious fervor—and you have a powerful opera that is at once a celebration of the sacred and the profane, of flesh and soul. This rarity had not been heard at the ...

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