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  1. Wong Kar-Wai
    Chinese screenwriter, film producer and film director

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  1. en.wikipedia.org › wiki › Wong_Kar-waiWong Kar-wai - Wikipedia

    Wong Kar-wai BBS (born 17 July 1958) is a Hong Kong film director, screenwriter, and producer. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours.

  2. www.imdb.com › name › nm0939182Kar-Wai Wong - IMDb

    Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Ah fei zing zyun (1990), Dung che sai duk (1994), Chung Hing sam lam (1994), Do lok tin si (1995), Chun gwong cha sit (1997), 2046 (2004) and My Blueberry ...

    • January 1, 1
    • 1.83 m
    • Shanghai, China
  3. May 6, 2024 · Wong Kar-Wai (born July 17, 1958, Shanghai, China) is a Chinese film director noted for his atmospheric films about memory, longing, and the passage of time. Wong’s family emigrated from Shanghai to Hong Kong in 1963.

  4. Nov 9, 2018 · Hong Kong director Wong Kar-wai made three of the 100 greatest foreign-language films in BBC Culture’s poll. His unique style and universal human themes mark him apart from his peers, writes...

  5. Explore the films of Wong Kar Wai, one of the defining auteurs of contemporary cinema, with this collection of seven features. From his debut As Tears Go By to his masterpiece In the Mood for Love, experience his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism.

  6. Oct 22, 2021 · Explore the influence and style of Hong Kong director Wong Kar Wai, who captures the poetry of everyday life and the theme of heartbreak in his films. Learn about his collaborations, his recurring cast and his nostalgic ambience in this article by a film scholar.

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  8. By restrict­ing his cin­e­mat­ic lan­guage, Wong “echoes the restric­tion of action that plagues Mr. Chow and Mrs. Chan in 1960s Hong Kong.”. The recent 20th-anniver­sary restora­tion of In the Mood for Love and those of Wong’s oth­er work are even now being screened around the globe.

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