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Alexander Proyas (/ ˈ p r ɔɪ ə s / PROY-əs; born 23 September 1963) is an Australian filmmaker. He is best known for directing the films The Crow (1994), Dark City (1998), I, Robot (2004), and Knowing (2009).
Alex Proyas. Director: Dark City. Alex Proyas has moved effortlessly between helming TV commercials and music videos to feature films. Born to Greek parents in Egypt, Proyas relocated to Australia with his family when he was three years old.
Feb 26, 2016 · Director Alex Proyas discusses Gods of Egypt, why his motion-capture Paradise Lost was shut down, his thoughts on remaking The Crow, Dark City and more.
More great news to share! Agents of S.H.I.E.L.D. actress Mallory Jansen and Emmy and Tony Award winner Anthony LaPaglia are boarding our upcoming sci-fi satire R.U.R. directed by the incredible Alex Proyas. 🎥🎬 Cameras roll on Oct. 21 in Sydney, Australia!
Alex Proyas. Director: Dark City. Alex Proyas has moved effortlessly between helming TV commercials and music videos to feature films. Born to Greek parents in Egypt, Proyas relocated to Australia with his family when he was three years old.
Aug 26, 2024 · Alex Proyas is an Australian filmmaker who specializes in grim, noirish films, usually featuring sci-fi, fantasy, and the supernatural. His most famous films are the '90s gems...
Apr 22, 2024 · On the 30th anniversary of The Crow, and the 20th anniversary of I, Robot, it’s fitting that filmmaker Alex Proyas is the recipient of the 2024 Chauvel Award for his contribution to filmmaking in both Australian and abroad.
Mar 19, 2024 · Alex Proyas, director of the first The Crow film from 1994, has expressed disapproval of the upcoming remake starring Bill Skarsgård via social media.
Alexander "Alex" Proyas (born 23 September 1963) is an Australian filmmaker. He is best known for directing the films The Crow (1994), Dark City (1998), I, Robot (2004), Knowing (2009), and Gods of Egypt (2016).
Aug 25, 2021 · Legendary film director Alex Proyas famous for his iconoclastic films “The Crow”, “Dark City” and “I Robot”, discusses his work during the lockdowns, murder of culture and xenophobia in Australia, plagiarism of his films by mainstream Hollywood and censorship.