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Cécile de France (French: [sesil də fʁɑ̃s]; born 17 July 1975) is a Belgian actress.After achieving success in French cinema hits such as L'Art (délicat) de la séduction (2001) and Irène (2002), she gained international attention for her lead roles in High Tension (2003) and Hereafter (2010).
- 2
- 1997–present
- Actress
- 17 July 1975 (age 48), Namur, Belgium
Cécile de France is a Belgian-born French actress who has starred in films such as The Spanish Apartment, High Tension, Hereafter and The Swarm. She has won two César awards and hosted the Cannes Film Festival in 2005.
- January 1, 1
- 1.74 m
- Namur, Wallonia, Belgium
Cécile de France au Festival de Cannes 2018. Cécile de France, née le 17 juillet 1975 à Namur, est une actrice belge . Elle a notamment reçu le César du meilleur espoir féminin pour L'Auberge espagnole, de la meilleure actrice dans un second rôle pour Les Poupées russes, ainsi que cinq nominations au César de la meilleure actrice .
Learn about the life and career of Cécile de France, a Belgian-born French actress who won two César awards and starred in films such as L'Auberge Espagnole, Haute Tension and Hereafter. Find out her family, trivia, quotes and more on IMDb.
- July 17, 1975
Learn about the Belgian actress Cécile De France, who starred in French and Hollywood films such as High Tension, Hereafter, and The Kid with a Bike. See her photos, ratings, awards, and upcoming projects.
Tomatometer®Audience ScoreTitleCreditNo Score YetNo Score YetUnknown (Character)No Score YetNo Score YetJeanne (Character)No Score YetNo Score YetChiara (Character)93%93%Louise de Bargeton (Character)- July 17, 1975
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Cécile de France is a Belgian actress who starred in French and international films such as High Tension, Hereafter, and The New Pope. Learn more about her life, career, and upcoming projects on The Movie Database (TMDB).
Jan 9, 2024 · The Belgian-born actress talks about her role as Marthe, the mysterious wife of painter Pierre Bonnard, in Martin Provost's film. She reveals how she prepared for the part, how she portrayed her transformation and her illness, and why she admires Provost's approach to female characters.
