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  1. Edward Yang
    Taiwanese film director and screenwriter

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  1. en.wikipedia.org › wiki › Edward_YangEdward Yang - Wikipedia

    Edward Yang ( Chinese: 楊德昌; pinyin: Yáng Déchāng; November 6, 1947 [1] – June 29, 2007) was a Taiwanese filmmaker. He rose to prominence as a pioneer in the Taiwanese New Wave of the 1980s, alongside fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang. Yang was regarded as one of the greatest filmmakers of Taiwanese cinema.

  2. www.imdb.com › name › nm0945981Edward Yang - IMDb

    Born on November 6, 1947 in Shanghai, China, Edward Yang has become one of the most talented international filmmakers of his generation. Along with Hou Hsiao-Hsien and Tsai Ming-Liang, Yang ranks among the leading artists of the Taiwanese New Wave, and one of the world's most brilliant auteurs.

    • January 1, 1
    • Shanghai, China
    • January 1, 1
    • Beverly Hills, California, USA
  3. Apr 9, 2022 · Ranking the catalogue of one of the most consistent filmmakers ever feels like a pointless endeavor, a disservice to such a brilliant output of films. Edward Yang never made a bad movie, leaving us with seven features that all stand as valuable filmmaking of its own.

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  4. Nov 6, 2021 · However, the most prominent New Wave filmmaker from Taiwan was undoubtedly Edward Yang, who sadly passed away at the age of 59 after a long battle with colon cancer. Thankfully, his works continue to be discovered and cherished by newer generations of audiences as well as aspiring filmmakers.

  5. Jan 11, 2024 · Edward Yang’s States of Flux. His dark comedies and family dramas of life in late-20th-century Taiwan depict a generation’s crisis, confronting the forces of finance and globalization. Vikram...

  6. Jul 19, 2023 · All the above are scenes and characters from the films of Edward Yang, a Taiwanese director of great breadth and intimacy who completed just eight-and-a-quarter works before dying of cancer in...

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  8. The films of Edward Yang (1947–2007) were among the first to capture the ethos of Taiwan’s rapid modernization—particularly Taipei urbanites adjusting to their global city’s ever-evolving zeitgeist—even as they exhibited a novelistic field of vision that superseded time and place.

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