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2007
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Zandy Hartig was born on 14 March 1968 in New York City, New York, USA. She is an actress and producer, known for The Laundromat (2019), Mosaic (2018) and Childrens Hospital (2008).
Wain lives in Los Angeles. He has two sons and is divorced from Zandy Hartig, an actress and producer. Filmography
Zandy Hartig is an actress/writer/painter/producer. She was a regular cast member for all seven seasons of the Emmy Award winning CHILDRENS HOSPITAL (adult swim), and its spin-off, MEDICAL POLICE (Netflix).
Zandy Hartig was born on March 14, 1968 in New York City, New York, USA. She is an actress and producer, known for The Laundromat (2019), Mosaic (2018) and Childrens Hospital (2008). She was previously married to David Wain.
Zandy Hartig. Find my vintage items at my Etsy store. Acting Reel. Essays. Paintings / Photos / Drawings.
Resume — Zandy Hartig. NEW YORK THEATRE: A FAIR COUNTRY by Jon Robin Baitz (dir. Daniel Sullivan) (Lincoln Center Theatre) WAITER, WAITER by David Simpatico (New York Fringe Festival) HOSPITAL by Randy Sharp (Axis Theatre Company) TALLAHASSEE by Len Jenkin & Mac Wellman (78th St. Theatre Lab) THE LESSER MAGOO by Mac Wellman (78th St. Theatre ...
Jan 12, 2020 · Zandy Hartig. Zandy Hartig was born as Alexandra B. Hartig, to parents Herbert Hartig (father) and Jennifer Brookfield Hartig (mother). She’s got a sister named Meg Hartig. The actress is best known for her roles in Wainy Days (2007), Role Models (2008), and Wanderlust (2012).
Zandy Hartig. Actor. Actress/Writer/Painter. Commercial representation: David Ziff & Juliana Castro at CESD LA. www.zandyhartig.com/reel + 3. Highlights. 505 Followers, 229 Following, 294 Posts - See Instagram photos and videos from Zandy Hartig (@zandy_hartig)
Aug 23, 2021 · Zandy is an actor/writer/painter, and most importantly, a mom to two great boys. One of WASP (White Anglo-Saxon Protestant)’s tenets is not drawing attention to yourself, so as I write this...
Nov 17, 2023 · This Fool deals with real issues—poverty, police misconduct, racism, generational trauma, the pitfalls of capitalism, and the possibilities of rehabilitation and redemption—in a nimble and diverting way that never proselytizes or sacrifices its grit.
