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  2. Musique concrète (French: [myzik kɔ̃kʁɛt]; lit. ' concrete music ') is a type of music composition that utilizes recorded sounds as raw material. Sounds are often modified through the application of audio signal processing and tape music techniques, and may be assembled into a form of sound collage.

  3. Learn about musique concrète, an experimental technique of musical composition using recorded sounds as raw material. Find out how it was developed by Pierre Schaeffer and his associates, and explore some compositions in this genre.

    • The Editors of Encyclopaedia Britannica
  4. Jun 3, 2020 · Defined as music created using recorded sound as source material (ie ‘concrete’ sound sources rather than musical instruments), musique concrète grew out of an experimental environment as recording equipment slowly became more commonplace.

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  5. Apr 5, 2024 · Pierre Schaeffer was a French composer, acoustician, and electronics engineer who in 1948, with his staff at Radio-diffusion et Télévision Française, introduced musique concrète. In this genre, sounds of natural origin, animate and inanimate, are recorded and manipulated so that the original sounds.

    • The Editors of Encyclopaedia Britannica
  6. May 15, 2021 · Learn how tape-music pioneers like Schaeffer and Henry created soundscapes from raw sound material, and how later composers used pop culture fragments and vinyl manipulation to challenge and subvert musical conventions. Explore the evolution and influence of musique concrète from its origins to its contemporary forms.

  7. The term musique concrète (French for "real music", literally "concrete music"), was coined by Schaeffer in 1948. Schaeffer believed traditionally classical (or as he called it, "serious") music begins as an abstraction (musical notation) that is later produced as audible music.

  8. Jul 15, 2023 · Musique concrète is a genre of experimental music that emerged in the mid-20th century, pioneered by composers such as Pierre Schaeffer and Pierre Henry. It is characterized by the composition and manipulation of sounds recorded from the real world, as opposed to traditional musical instruments.

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