RoboCop 3
1993
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Fred Dekker (born April 9, 1959) is an American screenwriter and film director best known for his cult classic horror comedy films Night of the Creeps and The Monster Squad (written with Shane Black ). [1] [2] He contributed the story ideas for House (1986) and Ricochet (1991), and also directed and co-wrote RoboCop 3 with Frank Miller .
Fred Dekker. Writer: The Monster Squad. Writer/director Fred Dekker was born on April 9, 1959 in San Francisco, California. An avid comic book fan, monster movie buff, and film nerd from an early age, Dekker was rejected by both USC and UCLA film schools. He wound up attending UCLA as an English major instead.
Fred Dekker. Writer: The Monster Squad. Writer/director Fred Dekker was born on April 9, 1959 in San Francisco, California. An avid comic book fan, monster movie buff, and film nerd from an early age, Dekker was rejected by both USC and UCLA film schools. He wound up attending UCLA as an English major instead.
Long form interview with screenwriter and director Fred Dekker about The Predator, Night of the Creeps, The Monster Squad, Robocop 3 and the one project he was going to make with James Cameron.
Jan 21, 2022 · Updated: Jan 21, 2022. Mr. Dekker on the set of RoboCop 3. Image courtesy: Fred Dekker. Fans of '80s creature features know of the great Fred Dekker due to his penning and direction of cult classics Night of the Creeps and The Monster Squad. A writer and director for film and television, Mr. Dekker has won the hearts of horror and sci-fi fans ...
Fred Dekker is the writer and director of the cult classic films Night of the Creeps and The Monster Squad (written with Shane Black). He contributed the story ideas for both House (1986) and Ricochet (1991). He also directed and wrote RoboCop 3 (co-written with Frank Miller). Dekker was born on April 9, 1959 in San Francisco, California.
Oct 6, 2021 · Capitalising on an opportunity to film Night of the Creeps, Dekker went at it hammer and tongs, crafting a hilarious and highly irreverent genre blender that gleefully subverted the po-faced nightmare terrors and slasher gore of the 70s and 80s, whilst also tipping its hat to the schlocky, low budget drive-in delights of Roger Corman’s ...
