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  1. Delmer Daves
    American film director, producer, and screenwriter

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  1. en.wikipedia.org › wiki › Delmer_DavesDelmer Daves - Wikipedia

    Delmer Lawrence Daves (July 24, 1904 – August 17, 1977) was an American screenwriter, film director and film producer. He worked in many genres , including film noir and warfare , but he is best known for his Western movies , especially Broken Arrow (1950), The Last Wagon (1956), 3:10 to Yuma (1957) and The Hanging Tree (1959).

  2. www.imdb.com › name › nm0202681Delmer Daves - IMDb

    Turning director with the classic Destination Tokyo (1943), Daves often wrote and produced his own pictures. Of the many films he made, the westerns he did were especially close to his heart--as a youth he had spent much time living on reservations with Hopi and Navajo Indians. Born July 24, 1904.

  3. Apr 22, 2024 · Delmer Daves was an American writer and director of motion pictures who worked in a number of genres but was best known for his westerns, which include Broken Arrow (1950), The Last Wagon (1956), and 3:10 to Yuma (1957).

  4. Daves earned a law degree at Stanford University but decided to pursue a career in Hollywood. He was a crew member on several films before turning to acting in 1928. Although typically uncredited, he appeared in more than 10 movies, including The Duke Steps Out (1929) and Good News (1930).

  5. Jun 25, 2015 · The penultimate Western of Delmer Daves was a film version of part of Frank Harriss unreliable memoirs, Cowboy. It starred the excellent Glenn Ford again and also (very good casting) New Englander Jack Lemmon as Harris.

  6. The Last Wagon: Directed by Delmer Daves. With Richard Widmark, Felicia Farr, Susan Kohner, Tommy Rettig. Wagon train survivors of an Apache attack entrust the sheriff's prisoner, scout Comanche Todd, with their lives despite his wanted-for-murder status.

  7. Delmer Daves (1904–1977) was an American screenwriter, director, and producer known for his dramas and Western adventures, most notably Broken Arrow and 3:10 to Yuma. Despite the popularity of his films, there has been little serious examination of Daves’s work.

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