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  1. Nagisa Ōshima

    Nagisa Ōshima

    Japanese film director and screenwriter

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  1. Nagisa Ōshima (大島 , Ōshima Nagisa, March 31, 1932 – January 15, 2013) was a Japanese film director and screenwriter. One of the foremost directors within the Japanese New Wave , his films include In the Realm of the Senses (1976), a sexually explicit film set in 1930s Japan, and Merry Christmas, Mr. Lawrence (1983), about World War ...

  2. Browse Getty Images' premium collection of high-quality, authentic Nagisa ōshima stock photos, royalty-free images, and pictures. Nagisa ōshima stock photos are available in a variety of sizes and formats to fit your needs.

  3. 3 Photos. Nagisa Oshima's career extends from the initiation of the "Nuberu bagu" (New Wave) movement in Japanese cinema in the late 1950s and early 1960s, to the contemporary use of cinema and television to express paradoxes in modern society.

    • January 1, 1
    • Tamano, Japan
    • January 1, 1
    • Fujisawa, Japan
  4. Coinciding with Japan’s reemergence after its World War II defeat and the Occupation as a major global economic power, Oshima’s films represent a running commentary, direct and indirect, on the intellectual and political life of postwar Japan.

    • Maureen Turim
    • 1
  5. This complete retrospective of Oshima's feature films offers a rare opportunity to see some of the postwar Japanese cinema's most iconic and important works—an experience that, by contrast, reveals the total poverty of politically engaged art cinema today.

  6. Apr 30, 2009 · Nagisa Oshima on. In the Realm of the Senses. Apr 30, 2009. The following article, based on an interview with Nagisa Oshima conducted by Katsue Tomiyama in April 1983, first appeared, in slightly longer form, in the Japanese magazine Image Forum. Tomiyama is a film producer and cofounder of Image Forum, and she played one of the inn’s young ...

  7. Dec 25, 2017 · Maureen Turim’s The Films of Oshima Nagisa: Images of a Japanese Iconoclast, presents an intelligent, comprehensive, articulate, and illuminating critical evaluation of the filmmaker’s subversive, transgressive, confrontational, and provocative body of work.

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