La Règle du jeu
1950
Search results
Jean Renoir (French:; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s.
- Overview
- Early years
- Later years
Jean Renoir (born September 15, 1894, Paris, France—died February 12, 1979, Los Angeles, California, U.S.) French film director and son of the Impressionist painter Pierre-Auguste Renoir. His films, in both silent and later eras, were noted for their realism and strong narrative and include such classics as Grand Illusion (1937), The Rules of the G...
Renoir was born in the Montmartre section of Paris. In an environment in which art predominated, among painters and their models, he spent a happy childhood, which was richer in the carefree appreciation of beauty than in formal studies. Nevertheless, he received a degree in 1913 from the University of Aix-en-Provence, where he wrote poetry, and joined the cavalry to begin a military career.
World War I broke out in 1914, and Renoir was wounded in the leg. During his convalescence, he spent his time in Paris movie houses, where he discovered the serials and Charlie Chaplin. After he recovered, he rejoined the service in the air force and finished the war with the rank of lieutenant.
Undecided on a career, he studied ceramics with his brother at Cagnes-sur-mer, near Nice, where his family had settled. Early in 1920 he married one of his father’s models, Andrée Heurschling, a few months after the painter’s death, and went with her to live in Marlotte, a village near Paris in which his father had once painted.
Intending to set up a ceramics factory, Jean Renoir was joined by his friend Paul Cézanne, the son of the painter. Having come into contact with theatrical circles through his sister-in-law, the actress Vera Sergine, Renoir was attracted by the evolving art of the film and decided to write a screenplay. It was made into the film Catherine, or Une Vie sans joie (Catherine: A Joyless Life), in 1923, with his wife appearing under the name of Catherine Hessling. The first film Renoir directed was La Fille de l’eau (released 1924; Whirlpool of Fate), which again starred his wife. All of his early films were produced in a makeshift way, with technical clumsiness, a lack of means, and a certain amateurishness. Nevertheless, the instinctive genius of the filmmaker found expression in them. These early films, which reveal a strong pictorial influence, have taken on with time a particular charm. In the late 1920s he found his inspiration in the writings of Émile Zola, Hans Christian Andersen, and others but made them into personal films in the style of the French avant-garde of the period.
These films had no commercial success, and Renoir and his backers were almost ruined. The advent of sound in motion pictures brought new difficulties, but Renoir passed the test with On purge bébé (1931; Baby’s Laxative) and proved himself with La Chienne (1931; “The Bitch”), a fierce and bitter film adapted from a comic novel by Georges de la Fouchardière.
Students save 67%! Learn more about our special academic rate today.
During World War II, when the Nazis invaded France in 1940, Renoir, like many of his friends, went to Hollywood and continued his career there. His American period includes films of varying merit, which mark a departure from his previous style: Swamp Water (1941), The Southerner (1945), Diary of a Chambermaid (1946), and The Woman on the Beach (1947). In 1944, after being divorced from Catherine Hessling, he married Dido Freire, a family friend of Brazilian filmmaker Alberto Cavalcanti. He made The River (1951), his first colour film, in India.
Now in full command of a mature style that reflected the qualities of the man himself—sensitivity, fervour, and humanity—he returned to Europe by way of Italy, where he made Le Carrosse d’or (released 1952; The Golden Coach). A sumptuous work, combining the talents of both a painter and a dramatist, this film shows Renoir’s love of actors and their profession. He occasionally played roles in his own or other directors’ films, and he allowed his actors a great deal of initiative. Subsequently, he made French Cancan (1955), a fabulous evocation of the Montmartre of the 19th century, and Eléna et les hommes (1956; Paris Does Strange Things), a period fantasy swept along in a prodigious movement. His last works, from the 1960s, do not achieve the same beauty, nor does the work he produced for television.
Jean Renoir. Writer: The Rules of the Game. Son of the famous Impressionist painter Pierre Auguste, he had a happy childhood. Pierre Renoir was his brother, and Claude Renoir was his nephew. After the end of World War I, where he won the Croix de Guerre, he moved from scriptwriting to filmmaking.
- January 1, 1
- Paris, France
- January 1, 1
- Beverly Hills, Los Angeles, California, USA
Jean Renoir est un réalisateur et scénariste français né le 15 septembre 1894 à Paris 18e 2 et mort le 12 février 1979 à Beverly Hills (Californie). Ses films ont profondément marqué les mutations du cinéma français entre 1930 et 1950, avant d'ouvrir la voie à la Nouvelle Vague.
- 15 septembre 189418e arrondissement de Paris
- Essoyes
- Française
Jun 21, 2016 · European cinema was perforated by the growing Nazi movement in the 1930s, and Renoir, together with Jean Castanyer and Jacques Prevert, developed a politically biting storyline that directly questions authority and the ethical boundaries one should and shouldn’t cross.
- Nikola Grozdanovic
Jean Renoir. Writer: The Rules of the Game. Son of the famous Impressionist painter Pierre Auguste, he had a happy childhood. Pierre Renoir was his brother, and Claude Renoir was his nephew. After the end of World War I, where he won the Croix de Guerre, he moved from scriptwriting to filmmaking.
People also ask
Who is Jean Renoir?
Who is Jean Renoir son Alain Renoir?
How many films did Jean Renoir make?
Was Renoir a painter?
Sep 1, 2017 · Jean Renoir (1894-1979) is now considered a legendary director, the genius who defines cinematic realism and humanist filmmaking. The rare opportunity to experience all of his films in a short period of time complicates this extremely oversimplified reputation.
