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  1. Barry Ackroyd

    Barry Ackroyd

    British cinematographer

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  1. Barry Ackroyd, BSC (born 12 May 1954) is an English cinematographer and director. [1] Ackroyd has frequently worked with directors Ken Loach and Paul Greengrass. He worked on Kathryn Bigelow 's 2008 war film The Hurt Locker as well as the critically acclaimed 2013 biographical thriller Captain Phillips, the former earning him a BAFTA Award and ...

  2. www.imdb.com › name › nm0010096Barry Ackroyd - IMDb

    Barry Ackroyd was born on 12 May 1954 in Oldham, Lancashire, England, UK. He is a cinematographer and director, known for The Hurt Locker (2008), Captain Phillips (2013) and United 93 (2006). More at IMDbPro.

    • January 1, 1
    • 2 min
    • Oldham, Lancashire, England, UK
  3. Barry Ackroyd was born on May 12, 1954 in Oldham, Lancashire, England, UK. He is a cinematographer and director, known for The Hurt Locker (2008), Captain Phillips (2013) and United 93 (2006).

  4. Nov 14, 2011 · Cinematographer Barry Ackroyd has shot almost 50 features with numerous directors, but when it comes time to discuss his work on Kathryn Bigelow’s The Hurt Locker, his collaborations with two other helmers need to be referenced. The first is Ken Loach, the director Ackroyd is most associated with.

  5. Barry Ackroyd is known as an Director of Photography, Cinematography, Camera Operator, Actor, and Focus Puller. Some of his work includes The Big Short, Captain Phillips, Jason Bourne, The Hurt Locker, The Old Guard, Bombshell, Green Zone, and Contraband.

  6. Jul 20, 2023 · Cinematographer – Barry Ackroyd. Making A Splash. Having shot the critically acclaimed The Hurt Locker, as well as movies like United 93, Looking For Eric and Green Zone, cinematographer Barry Ackroyd is in demand. But, he explains, that will never stop him choosing substance over style.

  7. Feb 13, 2014 · Learn how Barry Ackroyd filmed the true story of the Maersk Alabama hijacking at sea, and his previous collaborations with Paul Greengrass and Nick Broomfield. The interview covers the technical challenges, the themes and the points of view of the film.

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