Love Me or Leave Me
1955
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Charles Vidor (born Károly Vidor; July 27, 1900 – June 4, 1959) was a Hungarian film director. Among his film successes are The Bridge (1929), The Tuttles of ...
Charles Vidor (1900-1959) Charles Vidor. Hungarian-born Karoly Vidor spent the First World War as a lieutenant in the Austro-Hungarian infantry. Following the armistice, he made his way to Berlin and worked for the German film company Ufa, as editor and assistant director. In 1924, he emigrated to the U.S. and, for several years, earned his ...
- January 1, 1
- Budapest, Austria-Hungary [now Hungary]
- January 1, 1
- Vienna, Austria
Jul 23, 2024 · Charles Vidor (born July 27, 1900, Budapest, Austria-Hungary [now in Hungary]—died June 4, 1959, Vienna, Austria) was a Hungarian-born American film director who primarily made comedies and musicals but was best known for the film noir classic Gilda (1946).
- Michael Barson
Learn about the life and career of Charles Vidor, a Hungarian-born director who made movies in various genres from the 1930s to the 1950s. He is best known for his film noir 'Gilda' and his biopics of Chopin, Andersen and Liszt.
Gilda is a 1946 American film noir directed by Charles Vidor and starring Rita Hayworth and Glenn Ford . The film is known for cinematographer Rudolph Maté 's lush photography, costume designer Jean Louis 's wardrobe for Hayworth (particularly for the dance numbers), and choreographer Jack Cole 's staging of "Put the Blame on Mame" and "Amado ...
Charles Vidor (July 27, 1900 – June 4, 1959) was a film director. Born Károly Vidor to a Jewish family in Budapest, Hungary, he served in the Hungarian Army during World War I. He first came to prominence during the final years of the silent film era. Among his film successes are The Bridge (1929), Cover Girl (1944), A Song to Remember (1945), Gilda (1946), The Loves of Carmen (1948), Love ...
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Jun 5, 2024 · By Charles Vidor. This was the classic noir text, and the obvious complicated debt to Michael Curtiz’s wartime classic Casablanca (1942) hardly needs to be pointed out. It’s almost an anti-Casablanca, and the huge difference is that Casablanca offered us a huge flashback, underscoring the romantic good faith of Rick and Ilsa’s war-torn ...
