Beauty and the Beast
1991
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Gary Trousdale (born June 8, 1960) is an American animator, film director, screenwriter and storyboard artist. He is best known for directing films such as Beauty and the Beast (1991), The Hunchback of Notre Dame (1996), and Atlantis: The Lost Empire (2001). He frequently works with Kirk Wise and Don Hahn .
Gary Trousdale. Director: The Hunchback of Notre Dame. Gary Trousdale was born in La Crescenta, California. His fascination with animation was fostered as a child, where he drew cartoons from an elementary school age.
Gary Trousdale Is an animation director, storyboard artist, writer, designer, and illustrator. Oh, you like theme-park rides…? He writes, designs and produces media for them, too.
Gary Trousdale. Director: The Hunchback of Notre Dame. Gary Trousdale was born in La Crescenta, California. His fascination with animation was fostered as a child, where he drew cartoons from an elementary school age.
Gary Trousdale is a California native and has been a member of the animated film industry since 1984, after studying at California Institute of the Arts (CalArts).
Gary Allen Trousdale is an American film director, animator, and screenwriter, known for directing movies, such as Beauty and the Beast, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. He frequently works with Kirk Wise and Don Hahn.
Jun 21, 1996 · The Hunchback of Notre Dame: Directed by Gary Trousdale, Kirk Wise. With Jason Alexander, Mary Kay Bergman, Corey Burton, Jim Cummings. A deformed bell-ringer must assert his independence from a vicious government minister in order to help his friend, a gypsy dancer.
Gary A. Trousdale (born June 8, 1960) is an American film director known for directing movies such as Beauty and the Beast, The Hunchback of Notre Dame and Atlantis: The Lost Empire.
Aug 11, 2020 · Gary Trousdale and Kirk Wise, directors of Disney's Beauty and the Beast, The Hunchback of Notre Dame and Atlantis, discuss their career.
Gary Trousdale expected to be laid off from the House of Mouse at the end of The Black Cauldron, but a series of in-house effects jobs kept him at Disney until his jokey cartoons, and a recommendation from Joe Ranft, helped boost him into Disney Feature Animation’s story department.
