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  1. Steve Barron
    Irish film director, film producer, music video director

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  1. en.wikipedia.org › wiki › Steve_BarronSteve Barron - Wikipedia

    Steve Barron is an Irish-British filmmaker and music video director, known for his work with Michael Jackson, A-ha, and Teenage Mutant Ninja Turtles. Learn about his early life, career, filmography, and autobiography on Wikipedia.

  2. www.imdb.com › name › nm0006625Steve Barron - IMDb

    Steve Barron is a British filmmaker who has directed music videos, feature films, TV shows and mini-series. He is known for his work on 'Thriller', 'Teenage Mutant Ninja Turtles', 'Merlin' and 'Dreamkeeper'.

    • January 1, 1
    • 2 min
    • Dublin, Ireland
  3. May 3, 2023 · Steve tells his story, and how he managed to impact film and other mediums through Music Television. In this interview, we're taking a look at Steve Barron's iconic 80s pop videos. From...

    • 55 min
    • 569
    • Steve Blame's POP the History Makers
  4. Steve Barron is an Irish filmmaker who has directed music videos, films, TV shows and miniseries. He is known for his work on Teenage Mutant Ninja Turtles, Coneheads, Electric Dreams and a-ha's "Take on Me".

  5. Mar 2, 2022 · Steve Barron, the Irish-born and London-raised director of iconic music videos like Billie Jean and Take On Me, shares his story of how he made the video that catapulted A-Ha to success. He also reveals how he came up with the idea of the hand reaching out of the comic book and how he felt about the band's documentary.

  6. His name is Steve Barron, and he was the creative force behind some of the most memorable videos of all time. A director could have made his name off any one of these videos—"Don't You Want Me?" "Billie Jean," "Summer of '69," "Money for Nothing," "Rough Boy," "Take On Me"—but Steve Barron did all of them, and many more.

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  8. Nov 8, 2007 · Steve Barron started his career directed music videos--many of which have became classics since then. His second film, Teenage Mutant Ninja Turtle, quickly became the first independent feature to break the 100-million dollar theatrical barrier in the U.S.

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