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  1. John M. Stahl

    John M. Stahl

    American film director and producer

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  1. John Malcolm Stahl (January 21, 1886 – January 12, 1950) was an American film director and producer. He is best known for his films such as Leave Her to Heaven (1945), Imitation of Life (1934), The Keys of the Kingdom (1945), and Back Street (1932).

  2. May 8, 2024 · John M. Stahl was an American filmmaker who was considered one of the preeminent directors of so-called “women’s pictures,” melodramas that were aimed at female moviegoers. Stahl began acting onstage while a teenager, and in 1913 he appeared in his first films, cast in bit parts.

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  3. www.imdb.com › name › nm0821472John M. Stahl - IMDb

    John M. Stahl. Director: Leave Her to Heaven. John Stahl was the final executive in charge of Tiffany Pictures (located on the Talisman lot, later owned by Monogram Pictures), once a big fish in the pond of "Poverty Row", which in those days also included Columbia Pictures.

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    • Baki City District, Azerbaijan
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    • Hollywood, Los Angeles, California, USA
  4. Dec 17, 2018 · Best known for his 1930s women’s pictures made at Universal ( Imitation of Life, Magnificent Obsession) and his Technicolor noir Leave Her to Heaven (1945), Stahl was a major filmmaker in the silent era, but until recently it was assumed that his pre-sound films were nearly all lost or unavailable.

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  5. John Malcolm Stahl (January 21, 1886 – January 12, 1950) was an American film director and producer. Born in New York City, New York, he began working in the city's growing motion picture industry at a young age and directed his first silent film short in 1914.

  6. But years before Sirk emerged in Hollywood, Stahl was one of the undisputed masters of American melodrama, at the peak of his powers producing a remarkable string of films. In a program of rare prints—including little-seen pre-Code drama Seed —and elevated emotions, come discover one of the treasures of Golden Age Hollywood.

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  8. Imitation of Life. Melodrama master John M. Stahl brings his exquisite restraint and almost spiritually pure visual style to this devastating, enduringly relevant story of mothers and daughters.