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  1. Alfred L. Werker

    Alfred L. Werker

    American film director

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  1. Alfred L. Werker (December 2, 1896 – July 28, 1975) was a film director whose work in movies spanned from 1917 through 1957. After a number of film production jobs and assistant directing, Werker co-directed his first film, Ridin' the Wind in 1925 alongside director Del Andrews.

  2. Alfred L. Werker was born on 2 December 1896 in Deadwood, South Dakota, USA. Alfred L. was a director and assistant director, known for He Walked by Night (1948), Lost Boundaries (1949) and It's Great to Be Alive (1933). Alfred L. was married to Frances Allen. Alfred L. died on 28 July 1975 in Orange County, California, USA. Born December 2, 1896.

    • Alfred L. Werker
    • July 28, 1975
    • December 2, 1896
  3. Alfred L. Werker (December 2, 1896 – July 28, 1975) was a film director whose work in movies spanned from 1917 through 1957. After a number of film production jobs and assistant directing, Werker co-directed his first film, Ridin' the Wind in 1925 alongside director Del Andrews.

  4. Alfred L. Werker (December 2, 1896 – July 28, 1975) was a film director whose work in movies spanned from 1917 through 1957. After a number of film production jobs and assistant directing, Werker co-directed his first film, Ridin' the Wind in 1925 alongside director Del Andrews.

  5. 5. 845 views 3 years ago. Western fan John K. is the guest of the Western Movies' podcast to talk about western director Alfred L. Werker and more specifically his 6 westerns in the 1950s....

    • 83 min
    • 799
    • cinefaniac
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  7. Feb 14, 2022 · Which makes Alfred L. Werkers underseen Repeat Performance, a strange concoction of noir, gothic melodrama, and high-concept sci-fi, a striking outlier of sorts. Repeat Performance opens with the image of the dark, starry sky on a New Year’s Eve night, before a crane shot swoops down to the outside of a New York City apartment.

  8. In history of film: Decline of the Hollywood studios. Alfred Werkers Lost Boundaries, 1949), alcoholism (Stuart Heisler’s Smash-Up, 1947), and mental illness (Anatole Litvak’s The Snake Pit, 1948); the semidocumentary melodrama, which reconstructed true criminal cases and was often shot on location (Kazan’s Boomerang, 1947; Henry ...

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