Hostel
2006
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Takashi Miike (三池 崇史, Miike Takashi, born August 24, 1960) is a Japanese film director, film producer and screenwriter. He has directed over one hundred theatrical, video, and television productions since his debut in 1991.
Takashi Miike. Director: 13 Assassins. Takashi Miike was born in the small town of Yao on the outskirts of Osaka, Japan. His main interest growing up was motorbikes, and for a while he harbored ambitions to race professionally.
Nov 2, 2017 · During his 26 years as a film, television, documentary, stage play and music video director, Takashi Miike has led the kind of career that rivals that of much more veteran...
Mar 6, 2023 · Takashi Miike is sometimes considered a controversial filmmaker because of how twisted and violent his films can get, and fewer have proven more provocative than Ichi the...
6 days ago · Lumberjack the Monster is a flawed yet fun horror film from Takashi Miike that deserves better than the release it got on Netflix. 7 10. Pros. The film brings a sinister sense of style with plenty ...
Takashi Miike. Director: 13 Assassins. Takashi Miike was born in the small town of Yao on the outskirts of Osaka, Japan. His main interest growing up was motorbikes, and for a while he harbored ambitions to race professionally.
Takashi Miike. Highest Rated: 100% Fudoh: The New Generation (1996) Lowest Rated: 11% The Neighbor No. Thirteen (2005) Birthday: Aug 24, 1960. Birthplace: Yao, Japan.
Sep 27, 2019 · Takashi Miike is the black, beating heart of world cinema. The man whose presence on festival circuits instills equal parts fear and wonder, the man you have to beware or watch. Miike’s rakish presence is perhaps best summed up by the title of his 2001 Yakuza movie, “Agitator.”
Takashi Miike (三池 崇史 Miike Takashi, born August 24, 1960) is a highly prolific and controversial Japanese filmmaker. He has directed over one hundred theatrical, video, and television productions since his debut in 1991.
Takashi Miike hardly requires introduction anymore. His sudden rise to fame over the course of 2000, when his films Dead or Alive and Audition made the rounds of international film festivals leaving audiences shell-shocked in their wake, proves the impact of his quite extraordinary work.
