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  1. Dudley Nichols

    Dudley Nichols

    American screenwriter

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  1. Dudley Nichols (April 6, 1895 – January 4, 1960) was an American screenwriter and film director. He was the first person to decline an Academy Award, as part of a boycott to gain recognition for the Screen Writers Guild; he would later accept his Academy Award for Best Original Screenplay in 1938.

  2. Dudley Nichols was born on 6 April 1895 in Wapakoneta, Ohio, USA. He was a writer and producer, known for Sister Kenny (1946), The Informer (1935) and Stagecoach (1939). He was married to Esther "Esta" Varez. He died on 4 January 1960 in Hollywood, California, USA.

    • January 1, 1
    • Wapakoneta, Ohio, USA
    • January 1, 1
    • Hollywood, California, USA
  3. Dudley Nichols was an American screenwriter and director who worked with John Ford, George Cukor and others. He won an Oscar for The Informer and wrote classics like Stagecoach, Bringing Up Baby and For Whom the Bell Tolls.

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  5. Born April 6, 1895, in Wapakoneta, OH; died of cancer, January 4, 1960, in Hollywood, CA; son of Dr. Grant Byron and Mary Nichols; married Esta Vacez Gooch-Collins, 1924. Career: Screenwriter, director, producer and lyricist. Ship's radio operator on Great Lakes, 1913; New York Evening News and New York World, journalist, 1920-29; also a ...

  6. Dudley Nichols was a writer and producer who worked on thirteen scripts for John Ford and refused the Oscar for The Informer (1935). He was born in Ohio in 1895 and died in Hollywood in 1960.

    • April 6, 1895
    • January 4, 1960
  7. Aug 24, 2023 · Dudley Nichols, a screenwriter and guild leader, rejected his Oscar for The Informer in 1936, citing the Academy's mistreatment of writers. Learn how he and the Screen Writers Guild fought for fair recognition and pay in Hollywood.

  8. Dudley Nichols started his Hollywood career in 1930, and collaborated with John Ford on his films of the 1930s and early 1940s. While these films are somewhat dated, they are still highly valued. Nichols did other scripts, but the ones he wrote for Ford constitute the real contributions to cinema.

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