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Ritwik Kumar Ghatak (listen ⓘ; 4 November 1925 – 6 February 1976) was a noted Indian film director, screenwriter, actor and playwright. Along with prominent contemporary Bengali filmmakers like Satyajit Ray , Tapan Sinha and Mrinal Sen , his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism.
Director: Reason, Debate and a Story. Ritwik Ghatak was born on 4 November 1925 in Dacca, Bengal Presidency, British India [now in Dhaka, Bangladesh]. He was a director and writer, known for Reason, Debate and a Story (1974), Musafir (1957) and The Cloud-Capped Star (1960). He was married to Surama Ghatak.
- January 1, 1
- Calcutta, West Bengal, India
- January 1, 1
- Director, Writer, Actor
List of works by Ritwik Ghatak. Ritwik Ghatak was an Indian filmmaker and also a playwright poet and writer of short stories. Ghatak started his creative career as a poet and a fiction writer. Then he began writing for the theater and became involved with Gananatya Sangha and Indian People's Theatre Association.
ArticleFirst PublishedYearA New Chapter in ActingChalachitra, Autumn issue, Page 93–1011950A Draft on Cultural LineIndian People's Theatre Association1 June 1951A Film Festival in Calcutta" Soviet Film ...Parichay, March, Year 21, Vol–2, No–3 ...1952Soviet Film In BengaliParichay November, Year 24, No–5, Page ...1954Mar 4, 2021 · Such glorious tributes to a filmmaker who gained more prominence after his death—Ghatak died in 1976 at the age of 50—goes to show the magnitude of impact the director, scriptwriter, author, and even actor has had on modern Indian filmmaking.
Mini Bio. Ritwik Ghatak was born on November 4, 1925 in Dacca, Bengal Presidency, British India [now in Dhaka, Bangladesh]. He was a director and writer, known for Reason, Debate and a Story (1974), Musafir (1957) and The Cloud-Capped Star (1960). He was married to Surama Ghatak.
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Ritwik Ghatak (1925–76) was one of the most powerful artists to have emerged in post-independence India. He managed to finish only eight feature films and a few documentaries and shorts. Largely ignored by critics and audiences in his lifetime, he has gained wide recognition since the 1980s.
Oct 31, 2019 · By David Hudson. The Daily — Oct 31, 2019. Rosy Samad in Ritwik Ghatak’s A River Called Titas (1973) The 1950s saw the emergence of a group of primarily Bengali filmmakers whose work, rooted in social realism and shot through with the trauma of the partition of India in 1947, rejected the conventions of mainstream Indian cinema.