Jonathan Wang
Search results
Larkin Seiple (born 1985) is an American cinematographer. He was cinematographer for Cop Car and both of the director duo Daniels' feature films, Swiss Army Man and Everything Everywhere All at Once.
Everything Everywhere All at Once.
Larkin Seiple is a cinematographer and director who has worked on films such as Everything Everywhere All at Once, Spider-Man: Far from Home, and Swiss Army Man. See his biography, awards, credits, photos, videos, and contact info on IMDb.
- 2 min
- Lighting The Multiverse
- Working Within Restrictions
- Emotion and Light
- GeneratedCaptionsTabForHeroSec
When it came to lighting the multi-genre film, Seiple and Daniels focused on giving each universe it is own feeling. One of the ways the universes were modified to look different amongst the multitude of worlds was the type of lens on Alexa Minis. Once Seiple established what the normal universe would look like, he started testing out lighting and ...
One of the tricky parts of filming that temporarily stumped Seiple was working within the contrast hints of the IRS building in the normal universe. Production designer Jason Kisvarday figured out a way to shoot in the large building and not have 500 cubicles’ worth of office supplies in the background. Kisvarday’s set design was made of cardboard ...
There is a running theme of moving light of different colors around Evelyn’s (Michelle Yeon) face, connecting the idea that each color is a different version of her. Near the end of the film, Evelyn is simultaneously existing in all the universes, and Matt Ardine built a custom lighting rig with Titan tubes to bring this theme to life. “[Y]ou can s...
Learn how Larkin Seiple created different universes and emotions with lighting, lenses and IMAX for the Daniels' sci-fi comedy. See how he used Titan tubes, anamorphic lenses and cardboard sets to make the absurdity beautiful.
Jan 27, 2023 · In honor of the film's upcoming Oscars run, Screen Rant spoke exclusively with cinematographer Larkin Seiple to discuss Everything Everywhere All at Once, the challenges and joys of crafting different universes, Easter eggs hidden in the parallel realities, and more.
- Grant Hermanns
- Editor & Interviewer
Sep 22, 2022 · Cinematographer Larkin Seiple explains the challenge of shooting in under 40 days and the ingenuity of the Daniels in Everything Everywhere All at Once.
May 23, 2022 · Larkin Seiple, the cinematographer of the multiverse-jumping comedy film, talks to Filmmaker Magazine about the challenges and joys of shooting with Daniels. He reveals how they used IMAX, greenscreen, and remote lighting to create the absurd and beautiful visuals of the movie.
