Children of Paradise
1946
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Marcel Albert Carné (French: [maʁsɛl albɛʁ kaʁne]; 18 August 1906 – 31 October 1996) was a French film director. A key figure in the poetic realism movement, Carné's best known films include Port of Shadows (1938), Le Jour Se Lève (1939), Les Visiteurs du Soir (1942) and Children of Paradise (1945); the latter has been cited as one of ...
Marcel Carné. Director: Port of Shadows. Marcel Carné, the son of a cabinet maker, entered the movies as the assistant of Jacques Feyder. At the age of 25 he directed his first movie Jenny (1936).
- January 1, 1
- Paris, France
- January 1, 1
- Clamart, Hauts-de-Seine, France
Marcel Albert Carné est un réalisateur et scénariste français, né le 18 août 1906 [1], [2] dans le 17 e arrondissement de Paris et mort le 31 octobre 1996 à Clamart [3]. Durant les années 1930 et 1940, il marque l'histoire du cinéma français grâce à sa collaboration avec l'écrivain et scénariste Jacques Prévert.
Marcel Carné was a motion-picture director noted for the poetic realism of his pessimistic dramas. He led the French cinema revival of the late 1930s. After holding various jobs, Carné joined the director Jacques Feyder as an assistant in 1928, and he also assisted René Clair on the popular comedy.
- The Editors of Encyclopaedia Britannica
Oct 31, 1996 · Biography. Born in Paris, France, the son of a cabinet maker whose wife died when their son was five, Marcel Carné began his career as a film critic, becoming editor of the weekly publication, Hebdo-Films, and working for Cinémagazine and Cinémonde between 1929 and 1933.
Dec 30, 2019 · Children of Paradise. Immaculately curated production design—Carné successfully builds the world of 19 th century Paris. top 100 films of the decade: 3 ( Children of Paradise, Port of Shadows, Le Jour Se Leve) most overrated: Children of Paradise.
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Mar 13, 2011 · Carné became interested in cinema while working as a journalist at the monthly film journal Cinémagazine at the end of the 1920s. Three of his more influential articles both mapped out the route that French sound cinema should follow and inflected the Carné style throughout his career.
