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Claude Autant-Lara (French: [otɑ̃ laʁa]; 5 August 1901 – 5 February 2000) was a French film director, screenwriter, set designer and costume designer who worked in films for over 50 years. His career was frequently marked by controversy, and in his late 80s he was elected to the European Parliament as a member for the far-right French ...
Claude Autant-Lara, né Claude Autant le 5 août 1901 à Luzarches ( Val-d'Oise) et mort le 5 février 2000 à Antibes ( Alpes-Maritimes ), est un réalisateur français. Il a également été scénariste, costumier, directeur artistique et parfois acteur, ainsi que homme politique . Après des débuts difficiles, il s'affirme sous l ...
Claude Autant-Lara. Director: Devil in the Flesh. Claude Autant-Lara was born on 5 August 1901 in Luzarches, Val-d'Oise, France. He was a director and writer, known for Devil in the Flesh (1947), The Crossing of Paris (1956) and The Red and the Black (1954).
- January 1, 1
- Luzarches, Val-d'Oise, France
- January 1, 1
- Antibes, Alpes-Maritimes, France
Aug 1, 2024 · Claude Autant-Lara (born August 5, 1903, Luzarches, France—died February 5, 2000, Antibes) was a French motion-picture director who won an international reputation with his film Le Diable au corps (1947; Devil in the Flesh ). Autant-Lara’s mother, an ardent pacifist, lived with her son in England during World War I.
- The Editors of Encyclopaedia Britannica
Feb 9, 2000 · TimesMachine is an exclusive benefit for home delivery and digital subscribers. Claude Autant-Lara, the director who made his name with films like ''Devil in the Flesh'' and ''The Red and the ...
Claude Autant-Lara. Director: Devil in the Flesh. Claude Autant-Lara was born on 5 August 1901 in Luzarches, Val-d'Oise, France. He was a director and writer, known for Devil in the Flesh (1947), The Crossing of Paris (1956) and The Red and the Black (1954).
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Jan 23, 2018 · Claude Autant-Lara thought it would make a good film, in the style of whimsical ghost tales of the period like Marcel Carné’s Les visiteurs du soir and Noël Coward’s play Blithe Spirit. He also saw it as an opportunity to get back to what had drawn him to film in the first place: special effects and the movie magic of Georges Méliès.
