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Ellen Kuras (born July 10, 1959) is an American cinematographer whose work includes narrative and documentary films, music videos and commercials in both the studio and independent worlds. One of few female members of the American Society of Cinematographers, she is a pioneer best known for her work in Eternal Sunshine of the Spotless Mind (2004).
Ellen Kuras was born on 10 July 1959 in New Jersey, USA. She is a cinematographer and director, known for Eternal Sunshine of the Spotless Mind (2004), The Betrayal (2008) and P.O.V. (1988).
Feb 3, 2022 · Ellen Kuras, the visionary behind “Eternal Sunshine of the Spotless Mind” and “Blow,” makes history as the first woman to receive the ASC Lifetime Achievement Award. Kuras has won two ...
May 5, 2022 · The ASC Lifetime Achievement Award is the highest honor the Society bestows upon practitioners of the art form. Ellen Kuras, ASC, this year's honoree, is the first woman to join the elite ranks of the award’s recipients.
Feb 2, 2022 · Ellen Kuras will become the first woman recipient of the American Society of Cinematographers’ Lifetime Achievement Award, which she will accept at the ASC’s 36th annual...
Sep 9, 2023 · Ellen Kuras, Kate Winslet, Toronto Film Festival. 'Lee,' directed by Ellen Kuras, stars Kate Winslet as a model turned war photographer during WWII and co-stars Alexander Skarsgard.
Ellen Kuras was born on 10 July 1959 in New Jersey, USA. She is a cinematographer and director, known for Eternal Sunshine of the Spotless Mind (2004), The Betrayal (2008) and P.O.V. (1988).
Feb 2, 2022 · The American Society of Cinematographers today announced that Ellen Kuras will become the first woman to receive the Society’s Lifetime Achievement Award, which she is planning to accept in person at the ASC’s 36th annual awards presentation on March 20, per The Hollywood Reporter.
It’s an anecdote that unlocks an incredible insight to Kuras: A cinematographer whose work can feel so raw, but underneath it there is an expertly drawn blueprint making it possible.
Ellen Kuras broke the glass ceiling as one of the first female cinematographers ever admitted into the American Society of Cinematographers.