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  1. Kristian Levring

    Kristian Levring

    Danish filmmaker

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  1. Kristian Levring (Danish: [ˈkʰʁestjæn ˈlewʁeŋ]; born 9 May 1957) is a Danish film director. He was the fourth signatory of the Dogme95 movement. His feature films as director include Et skud fra hjertet, The King is Alive, The Intended, Fear Me Not, and The Salvation.

  2. Learn about Kristian Levring, one of the co-founders of the Dogme95 movement and the director of The Salvation, The King Is Alive and The Intended. See his biography, awards, credits, photos and contact info on IMDb.

    • January 1, 1
    • Director, Writer, Editor
    • Copenhagen, Denmark
    • Kristian Levring
  3. Feb 27, 2015 · The Salvation: Directed by Kristian Levring. With Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, Eric Cantona. In 1870s America, the fury of a notorious gang leader is unleashed when a peaceful American settler avenges the death of his family.

    • (43K)
    • Action, Drama, Thriller
    • Kristian Levring
    • 2015-02-27
  4. Kristian Levring (født 9. maj 1957) er en dansk filminstruktør. Han er en af de fire dogmebrødre bag Dogme95. Kristian Levring er opvokset i Frankrig og Schweiz, uddannet ved Den Danske Filmskole som klipper og debuterede som spillefilmsinstruktør med Et skud fra hjertet i 1986.

  5. Jan 1, 2015 · We talk to Kristian Levring, director of The Salvation, about his strange new take on the Western genre. With its frontier setting, gun-slinging villains and bloody revenge narrative, The Salvation looks like a conventional Western.

  6. Endlessly inventive and genre defying, director Kristian Levring has produced one of the most distinctive bodies of work in Danish cinema. With films ranging from thriller, period drama, Shakespeare re-imagined and now a Western, Levring has crafted an expression that is as unique and visually stunning as it is eclectic.

  7. Sep 1, 2005 · Kristian Levring's The King Is Alive shows how rich the payoffs can be when Shakespeareans turn their attention to experimental cinema, with its strong ties to postmodern notions of text, authority, and reception.

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