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  1. Personal life. Papatakis was married to actress Anouk Aimée from 1951 to 1954 and with her he had a daughter, Manuela Papatakis, born in 1951. He lived with Nico between 1959 and 1961. He was then married to actress Olga Karlatos from 1967 to 1982, with whom he had a son, Serge Papatakis, born in 1967. Papatakis died in Paris on 17 December 2010.

  2. Nikos Papatakis was born on 5 July 1918 in Addis Ababa, Ethiopia. He was a writer and director, known for The Photograph (1986), The Depths (1963) and Oi voskoi (1967). He was married to Olga Karlatos and Anouk Aimée. He died on 17 December 2010 in Paris, France.

    • Writer, Director, Producer
    • July 5, 1918
    • Nikos Papatakis
    • December 17, 2010
  3. Nikos Papatakis (en grec moderne : Νίκος Παπατάκης) est un réalisateur, scénariste, producteur et directeur artistique français d'origine grecque [1] né le 5 juillet 1918 à Addis-Abeba et mort le 17 décembre 2010 dans le 14 e arrondissement de Paris.

    • 5 juillet 1918Addis-Abeba, Éthiopie
    • Νίκος Παπατάκης
    • Française
    • Nico PapatakisNiko Dakis
  4. Nikos Papatakis was born on July 5, 1918 in Addis Ababa, Ethiopia. He was a writer and director, known for The Photograph (1986), The Depths (1963) and Oi voskoi (1967). He was married to Olga Karlatos and Anouk Aimée. He died on December 17, 2010 in Paris, France.

    • July 5, 1918
    • December 17, 2010
  5. Jul 18, 2024 · Nikos Papatakis passed away on December 17, 2010, leaving behind a legacy of films with expressionistically heightened style and transgressive themes. His radical and influential cinema that inspired contemporary Greek filmmakers like Yorgos Lanthimos and Athina Rachel Tsangari.

  6. Nico Papatakis was an Ethiopian-born Greek filmmaker, who lived in France. Papatakis was born in Addis Ababa, Ethiopia and spent his early years between Ethiopia and Greece. In 1939, he established himself in Paris and worked as an extra in films.

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  8. Jan 14, 2024 · Between the disturbing tale of 2009’s Dogtooth, the uncomfortably funny satire of The Lobster, and the modern tragedy of The Killing of a Sacred Deer, Lanthimos set himself apart from other directors.

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