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  1. "La Bamba" opens with a sequence that at first seems like a memory. Some teenage boys are playing basketball in a school yard. Far overhead, a light plane drones through the sky. The colors of this scene are all washed out, as in an old memory, and the voices sound far away. There is slow motion. Another airplane appears. The basketball game continues. We are lulled by the feeling of a slow ...

  2. La Bamba. Los Angeles teenager Ritchie Valens (Lou Diamond Phillips) becomes an overnight rock 'n' roll success in 1958, thanks to a love ballad called "Donna" that he wrote for his girlfriend ...

    • (78)
    • Luis Valdez
    • PG-13
    • Lou Diamond Phillips
  3. LA BAMBA feels like rock 'n' roll in the fabulous '50s: fresh, young, exciting, sentimental, a little bit dangerous, but irresistibly infectious. Lou Diamond Phillips, with his wide-eyed energy and boyish charm, is endearing as the Mexican American performer whose time in the spotlight was tragically brief. The movie also depicts an intense but ...

    • Sony Pictures
    • Luis Valdez
  4. La Bamba which stars Lou Diamond Phillips as tragic 50's rocker Ritchie Valens(real name Richard Valenzuela) is my favorite rock bio film. The film covers the Mexican American Valens' rise from poverty in California to becoming a rock n roll superstar at the young age of 17 only to lose it all within 8 months on the "Day the Music Died".

  5. La Bamba Reviews. This rousing foot-tapper from the pioneering American film-maker Luis Valdez is the definitive Eighties music biopic. Full Review | Original Score: 4/5 | Jan 27, 2024. The film ...

  6. Jul 25, 2017 · Variety. “ La Bamba is engrossing throughout and boasts numerous fine performances. In Lou Diamond Phillips’ sympathetic turn, Valens comes across as a very fine young man, caring for those ...

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  8. May 3, 2021 · Columbia Pictures. Yet the biopic, made for just $6.5 million, went on to gross more than $54 million. Adjusted for inflation, that’s more than $120 million. “La Bamba became the flagship of ...

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