Marjorie Yates
Mother
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- PG1992 · Drama · 1h 24m
The Long Day Closes is a 1992 British drama film written and directed by Terence Davies and starring Marjorie Yates, Leigh McCormack, Anthony Watson, Nicholas Lamont and Ayes Owens. It was entered into the 1992 Cannes Film Festival .
May 28, 1993 · The Long Day Closes: Directed by Terence Davies. With Marjorie Yates, Leigh McCormack, Anthony Watson, Nicholas Lamont. A lyrical reverie about a young Liverpool boy coming of age in the 1950s among his loving family and the austere Catholic Church as he enters the rigors of school, nurtures a bedazzled love of the movies and longs for companionship.
- (4K)
- Biography, Drama
- Terence Davies
- 1993-05-28
Feb 5, 2014 · "The Long Day Closes" is Terence Davies' masterpiece, a film that was nominated for and deserved to be awarded the Palme d'Or at Cannes Film Festival in 1992 (Bille August's "The Best Intentions" won), and instead fell into near-oblivion (it wasn't even released on European DVD until 2008, with the current Criterion Collection edition finally ...
The Long Day Closes. A shy youngster copes with the pressures of school and home life in 1950s Britain via the local movie theater.
- (51)
- Terence Davies
- PG
- Marjorie Yates
The Long Day Closes is the most gloriously cinematic expression of the unique sensibility of Terence Davies, widely celebrated as Britain’s greatest living filmmaker. Suffused with both enchantment and melancholy, this autobiographical film takes on the perspective of a quiet, lonely boy growing up in Liverpool in the 1950s. But rather than employ a straightforward narrative, Davies jumps in ...
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THE LONG DAY CLOSES is the most gloriously cinematic expression of the unique sensibility of Terence Davies, widely celebrated as Britain’s greatest living filmmaker. Suffused with both enchantment and melancholy, this autobiographical film takes on the perspective of a quiet, lonely boy growing up in Liverpool in the 1950s.
Jan 28, 2014 · The Long Day Closes commences with a beautifully composed still life of a bowl of roses, illuminated against a shadowy nothingness by a shaft of dusty sunlight. Though unrelated to the rest of the film in any literal way, the image is a natural one if we know of Davies’s devotion to T. S. Eliot’s Four Quartets, a group of poems concerned ...
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