Barbara Stanwyck
Helen Ferguson/Patrice Harkness
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No Man of Her Own is a 1950 American film noir drama directed by Mitchell Leisen and featuring Barbara Stanwyck, John Lund, Phyllis Thaxter, Jane Cowl and Lyle Bettger. [2] Made and distributed by Paramount Pictures, the production is the second film Stanwyck made with director Mitchell Leisen. Its screenplay was adapted from Cornell Woolrich ...
No Man of Her Own: Directed by Mitchell Leisen. With Barbara Stanwyck, John Lund, Jane Cowl, Phyllis Thaxter. A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.
- (2.9K)
- Drama, Film-Noir, Romance
- Mitchell Leisen
- 1950-06-05
An unwed mother (Barbara Stanwyck) assumes a dead bride's identity and moves in with her rich in-laws. Director Mitch Leisen Producer Richard Maibaum Screenwriter Sally Benson, Catherine Turney ...
- (16)
- Mitch Leisen
- Drama
- Barbara Stanwyck
Mar 13, 2012 · No Man of Her Own (1950) - Barbara Stanwyck in NO MAN OF HER OWN, Directed by Mitchell Leisen. Helen Ferguson, pregnant, penniless and dumped by her boyfriend Steve Morley, takes the identity of the pregnant Patrice Harkness, when she and her husband are killed in a train crash. The rich Harkness in-laws, and their other son Bill, had never ...
- Mitchell Leisen, John Coonan, Frances Dawson
- Barbara Stanwyck
A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex. In a mansion in Caulfield, Illinois, Patrice and Bill Harkness are waiting for the police. Meanwhile, she recalls her life in San Francisco. Eight-months-pregnant Helen Ferguson is ...
No Man of Her Own (1950) cast and crew credits, including actors, actresses, directors, writers and more.
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Is no man of her own a melodrama?
There is tragedy and death, but these are swiftly overcome by heaps of warmth and affection. Then - there’s the turn. “No Man” veers from melodrama into cruel noir, a sort of ‘accidental indemnity.’. Stanwyck, true to form, plays both predator and prey with an equal level of intensity. It’s Leisen, though, who this time around ...
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