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  1. The Canterbury Tales

    The Canterbury Tales

    NC-171980 · Historical drama · 1h 51m
  2. The Canterbury Tales. (film) The Canterbury Tales ( Italian: I racconti di Canterbury) is a 1972 medieval erotic black comedy Italian film directed by Pier Paolo Pasolini based on the medieval narrative poem by Geoffrey Chaucer. The second film in Pasolini's "Trilogy of Life", preceded by The Decameron and followed by Arabian Nights, it won the ...

  3. The Canterbury Tales: Directed by Pier Paolo Pasolini. With Hugh Griffith, Laura Betti, Ninetto Davoli, Franco Citti. Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

    • (8.2K)
    • Pier Paolo Pasolini
    • NC-17
    • Hugh Griffith, Laura Betti, Ninetto Davoli
  4. The Canterbury Tales. Eight of Geoffrey Chaucer’s lusty tales come to life on-screen in Pier Paolo Pasolini’s gutsy and delirious The Canterbury Tales, which was shot in England and offers a remarkably earthy re-creation of the medieval era. From the story of a nobleman struck blind after marrying a much younger and promiscuous bride to a ...

    • Sir January
  5. The Canterbury Tales (1972) cast and crew credits, including actors, actresses, directors, writers and more. Menu. ... Medieval Film and TV a list of 35 titles

  6. Oct 23, 2007 Full Review Michael Bronski Gay Community News (Boston) The Canterbury Tales isn’t a great film, but it’s enjoyable, and infinitely more intelligent than most of the pulp that is ...

    • (10)
    • Pier Paolo Pasolini
    • NC-17
    • Hugh Griffith
  7. The Canterbury Tales is a 1972 medieval erotic black comedy Italian film directed by Pier Paolo Pasolini based on the medieval narrative poem by Geoffrey Chaucer. The second film in Pasolini's "Trilogy of Life", preceded by The Decameron and followed by Arabian Nights, it won the Golden Bear at the 22nd Berlin International Film Festival.

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  9. Nov 28, 2012 · The Canterbury Tales, the second feature in Pier Paolo Pasolini’s Trilogy of Life, is presented in its original aspect ratio of about 1.85:1 on the second dual-layer disc of Criterion’s new box set for the trilogy. The film is presented in a new 1080p/24hz high-definition digital transfer.

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