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  1. Les bonnes femmes

    Les bonnes femmes

    1960 · Drama · 1h 45m

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  1. French. Les Bonnes Femmes is a 1960 French nouvelle vague comedy drama film directed by Claude Chabrol. It follows four young Parisian women and their very different encounters with men. Though unsuccessful upon its initial release in France, it was subject to critical reevaluation, and is now regarded as one of the best of Chabrol's early films.

  2. Les Bonnes Femmes (Claude Chabrol 1960) is one of several New Wave films that both filmed on the Champs Elysées and played in cinemas on the Champs Elysées, so that audiences inside could see on the screen what they had just seen outside on the street. No Champs-Elysées-shot New Wave film, however, achieves the visual splendour of the ...

  3. May 5, 2022 · Les Bonnes Femmes by Claude Chabrol. Publication date 1960 Usage Attribution-NonCommercial-NoDerivs 4.0 International Topics Cinema Language French. No copyright ...

    • 98 min
  4. The Good Time Girls: Directed by Claude Chabrol. With Bernadette Lafont, Clotilde Joano, Stéphane Audran, Lucile Saint-Simon. Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams but often find real-life to be inescapable.

    • (3.2K)
    • Drama, Mystery, Romance
    • Claude Chabrol
    • 1960-04-22
  5. Les Bonnes Femmes est un film franco-italien réalisé par Claude Chabrol, sorti en 1960. Synopsis [ modifier | modifier le code ] Quatre vendeuses s’ennuient dans le petit magasin d’ électro-ménager de Monsieur Belin ( Pierre Bertin ).

    • Claude Chabrol
    • Paris-Film-ProductionPanitalia
    • Claude ChabrolPaul Gégauff
  6. Jul 25, 2013 · Un drame romantique et comique sur quatre jeunes femmes qui travaillent dans un magasin à Paris et rêvent de changer de vie. Découvrez le synopsis, la bande-annonce, les critiques et les offres de streaming et VOD du film de 1960.

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  8. Mar 26, 2019 · Claude Chabrol's 1960 film follows four young women in Paris who face tedium, boredom and danger in a patriarchal world. The film ends with a chilling ambiguity that suggests the futility of romantic fantasies and the vulnerability of women as prey.

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