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Demonlover is a 2002 French neo-noir thriller film written and directed by Olivier Assayas, and starring Connie Nielsen, Charles Berling, Chloë Sevigny, and Gina Gershon.
Nov 6, 2002 · With Connie Nielsen, Charles Berling, Chloë Sevigny, Dominique Reymond. A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning DEMONLOVER, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
Corporations encounter sabotage when they try to buy a Web site that features sex and violence.
- (85)
- Mystery & Thriller
- R
Despised by her assistant (Chloe Sevigny, 'American Psycho') and engaged in a risky game of corporate espionage, her ruthless ambition meets its match in Elaine (Gina Gershon, 'Bound'),...
Sep 19, 2003 · "Demonlover" begins in the cutthroat world of big business, and descends as quickly as it can to just plain cutting throats. It's a high-gloss corporate thriller that watches a group of vicious women executives as they battle for control of lucrative new 3-D Internet porn technology.
Dec 21, 2017 · Demonlover (2002) ORIGINAL US TRAILER [HD 1080p] Directed by Olivier Assayas. With Connie Nielsen, Gina Gershon and Chloë Sevigny. Demonlover Blu-ray : https://amzn.to/49L67PD Demonlover...
Order your copy now: http://bit.ly/2HWDkQv Twenty years after David Cronenberg prophesised the dark side of the Internet age in Videodrome, acclaimed French ...
Sep 19, 2003 · A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.
Sep 19, 2003 · A thought-provoking, radical essay on the matrix of art, life and virtual reality which deliberately toys with narrative conventions. [Palm Pictures]
