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  1. Sorry, Wrong Number

    Sorry, Wrong Number

    1948 · Thriller · 1h 29m

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  1. Sorry, Wrong Number is a 1948 American thriller and film noir directed by Anatole Litvak, from a screenplay by Lucille Fletcher, based on her 1943 radio play of the ...

  2. Summaries. When neurotic bedridden wife Leona Stevenson overhears a murder plot on her telephone, she tries to piece the puzzle together and prevent the murder. Based on Lucille Fletcher's famous radio play. Leona Stevenson is sick and confined to her bed. One night while waiting for her husband to return home, she picks up the phone and ...

  3. Jul 22, 2020 · This is both, one of my favorites of, Barb and Burt, and the movie has a great storyline, allowing the tragic nature of both personas, to crash together like cymbals! I'm not sure who ended up most tragic, although Barb's tragic end was by way of Burt's big plans, she still put herself "in the noose" so to speak, by way of her entire life of ...

    • 89 min
    • 10.3K
    • Felicity Dungworth
  4. Wealthy New York invalid Leona Cotterell Stevenson's lifeline is the telephone. Consequently, when she is left alone after her maid departs and gets a continuous busy signal from her husband Henry's office, she becomes worried and asks a telephone operator to connect her.

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  5. Due to a telephone glitch, Leona Stevenson (Barbara Stanwyck), a controlling heiress confined to a wheelchair, overhears a conversation about a plan to kill a woman. Unable to leave her home or ...

    • (22)
    • Barbara Stanwyck
    • Anatole Litvak
    • Paramount Pictures
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  6. Sorry, Wrong Number (1948) cast and crew credits, including actors, actresses, directors, writers and more.

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  8. If you are into nail biting suspense in your movies look no further than SORRY,WRONG NUMBER. An excellently structured climactic noir thriller made by Paramount Pictures in 1948. Produced by Hal Wallis and director Anotole Litvak it bears all the hallmarks of what was best in Hollywood's Golden Age when it came to producing great thrillers.

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