Howard Keel
Fred Graham 'Petruchio'
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Kiss Me, Kate is a musical with music and lyrics by Cole Porter and a book by Bella and Samuel Spewack. The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli ...
5 days ago · Producer Howard Panter says: “The overwhelming response to KISS ME, KATE has been nothing short of extraordinary. We’re thrilled to be able to bring this production to an even wider audience through the magic of cinema, ensuring that the joy of this very funny musical masterpiece resonates far beyond the stage.
5 days ago · A filmed performance of Kiss Me, Kate is heading to cinemas across the UK and beyond later this year. The production, led by Stephanie J Block and Adrian Dunbar, is currently enjoying a limited run until 14 September 2024. It received a glowing review from WhatsOnStage when it first opened in June. The Cole Porter musical has been filmed live ...
Hailed as 'the ultimate Broadway musical from the golden age’ (Financial Times), Kiss Me, Kate is a simple love story...about two people who just can't stand each other. Guess who wins... Don't miss this all-zinging, all-dancing musical comedy.
Feb 23, 2024 · Kiss Me, Kate follows the cast of a musical version of Shakespeare’s comedy The Taming of the Shrew. Their rehearsals are fraught because of the tension between director/leading man Fred Graham (who is playing Petruchio) and his ex-wife and co-star Lilli Vanessi (Katherine).
Jun 18, 2024 · Now it’s the turn of Kiss Me, Kate, directed by Bartlett Sher, now the go-to man for reviving large-scale golden age musicals (recently My Fair Lady and The King and I).
Aug 26, 2024 · Review: Kiss Me, Kate. August 26, 2024. By Dan Bavister. Contemporary London theatre is always in dialogue with its past. Often synergetic, but occasionally jarring, centuries of world-leading creative drama has ensured all new productions are inexorably rooted in what came before. The Barbican’s latest production, of Cole Porter’s Kiss Me ...
