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  1. The Wind (1928) by Victor Sjöström. The Wind is a 1928 American synchronized sound romantic drama film directed by Victor Sjöström. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.

  2. The Wind: Directed by Victor Sjöström. With Lillian Gish, Lars Hanson, Montagu Love, Dorothy Cumming. A frail young woman from the East moves in with her cousin in the West, where she causes tension within the family and is slowly driven mad.

    • (7.2K)
    • Drama, Romance, Thriller
    • Victor Sjöström
    • 1928-11-23
  3. Jun 6, 2023 · The Wind is a 1928 American silent romantic drama film directed by Victor Sjöström. The movie was adapted by Frances Marion from the 1925 novel of the same name written by Dorothy Scarborough. Featuring Lillian Gish, Lars Hanson and Montagu Love, it is one of the last silent films released by Metro-Goldwyn-Mayer and is considered to be among ...

    • 75 min
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  5. 1h 15m 1928. Overview. Synopsis. Credits. Photos & Videos. Film Details. Articles & Reviews. Trivia. Notes. Brief Synopsis. In this silent film, a sheltered southern girl fights to adapt to the rough-and-tumble life of the wild West. Cast & Crew. Read More. Victor Seastrom. Director. Lillian Gish. Letty. Lars Hanson. Lige. Montagu Love. Roddy.

    • Victor Seastrom, Harold S. Bucquet
    • Lillian Gish
  6. The Wind (1928) is one of Lillian Gish's greatest achievements in a powerfully dramatic silent film - her fourth and last MGM film and the last of her silent films.

  7. Summaries. A frail young woman from the East moves in with her cousin in the West, where she causes tension within the family and is slowly driven mad. Innocent, naive Letty Mason moves from her Virginia home to Sweet Water on the western prairies to live on the ranch of her cousin Beverly, his wife Cora, and their three children.

  8. Synopsis by Hal Erickson. The Wind, Victor Sjostrom's final American film, is a western only in its locale: its symbolism-laden story of physical and spiritual repression, culminating in a violent, hysterical outburst, has more in common with the European or Scandanavian cinema than with the usual MGM product.

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