Prithviraj Sukumaran
Older Ashwin Vasudev
Search results
Pathinettam Padi (transl. Eighteenth Step) is a 2019 Indian Malayalam-language coming of age drama film, written and directed by Shankar Ramakrishnan and produced by Shaji Nadesan under the banner of August Cinema.The film features Chandunadh, Ahaana Krishna, Akshay Radhakrishnan, Ashwin Gopinath, Wafa Khatheeja Rahman and Aarsha Chandini Baiju in the lead and Mammootty, Prithviraj Sukumaran ...
Pathinettam Padi. Two Schools- one for the rich and one for the poor, Two Rival Gangs, Two Rebel Leaders and their epic tale of romance, action, competition, bonding, friendship and a greater realisation given by a Genius Mentor- Prof: John Abraham Palackal (Mammootty) as they step up from their adolescence to adulthood, forms the premise of ...
Pathinettam Padi. Two Schools- one for the rich and one for the poor, Two Rival Gangs, Two Rebel Leaders and their epic tale of romance, action, competition, bonding, friendship and a greater realisation given by a Genius Mentor- Prof: John Abraham Palackal (Mammootty) as they step up from their adolescence to adulthood, forms the premise of ...
Jul 18, 2019 · Gangs of 18: Directed by Shankar Ramakrishnan. With Prithviraj Sukumaran, Ashwin Gopinath, Vishnupriya Vijayan, Ahaana Krishna. Two Schools - one for the rich and one for the poor.
- (2.8K)
- Action, Drama, Thriller
- Shankar Ramakrishnan
- 2019-07-18
Pathinettam Padi. Available on Prime Video. Two Schools- one for the rich and one for the poor, Two Rival Gangs, Two Rebel Leaders and their epic tale of romance, action, competition, bonding, friendship and a greater realisation given by a Genius Mentor- Prof: John Abraham Palackal (Mammootty) as they step up from their adolescence to ...
- Shankar Ramakrishnan
- Mammootty
Jul 6, 2019 · Pathinettam Padi is led by a bunch of newcomers who display the sort of scene-stealing confidence usually seen in seasoned actors. I’m not spoiling anything by saying that there is an exam hall ...
Jul 5, 2019 · Pathinettam Padi is not, however, an entirely flawless film. A couple of forcefully incorporated songs and the artificial quality of some dialogues (not necessarily Mammootty's) serve as mood killers. This was also one of the drawbacks of Shanker's screenplay of Urumi. And the odd placement of a cheesy Sania Iyyappan song sticks out like a sore ...
