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  1. en.wikipedia.org › wiki › May_(film)May (film) - Wikipedia

    May (film) May. (film) May is a 2002 American psychological horror film written and directed by Lucky McKee [3] [4] in his directorial debut. Starring Angela Bettis, Jeremy Sisto, Anna Faris, and James Duval, the film follows a lonely young woman (Bettis) traumatized by a difficult childhood, and her increasingly desperate attempts to connect ...

  2. Synopsis. May (Angela Bettis) is an awkward, lonely young woman who had a troubled childhood due to her "lazy eye" which caused her to feel abnormal and out of place. As a little girl, May's mother takes her to an eye doctor, who suggests that May wear an eye patch to correct her vision.

  3. www.rottentomatoes.com › m › mayMay | Rotten Tomatoes

    Feb 7, 2003 · MAY is a film that deserves attention. It presents a character who is more than just a traumatized individual and offers an engaging exploration of her life. McKee's film expertly blends the ...

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    • Angela Bettis
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  5. Jun 6, 2003 · "May" is a horror film and something more and deeper, something disturbing and oddly moving. It begins as the story of a strange young woman, it goes for laughs and gets them, it functions as a black comedy, but then it glides past the comedy and slides slowly down into a portrait of madness and sadness. The title performance by Angela Bettis is crucial to the film's success. She plays a ...

  6. Lucky McKee’s directorial debut May is a psychological horror/thriller film released in 2002 starring Angela Bettis, Jeremy Sisto, Anna Faris, and James Duval. Combining the elements and conventions of horror and slasher, it is an oddly moving, distinctive, and discomforting film about the desperate need and desire for human touch and belonging.

  7. MAY is a very nasty and disturbing little horror film that the viewer will probably either love or hate. It is very unpleasant see and at the same time mesmerizing.

  8. Lucky McKee's "MAY" is an indie film that draws you in; slowly forming its basis around vivid characters, ongoing interactions, developing pathos, and relationships to only turn it upside down. From quirky one minute, to startling the next, but always underlining its twitchy psychological makeup is a certain calamity that no one can escape.

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