Monica Vitti
Giuliana
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Red Desert (Italian: Il deserto rosso) is a 1964 Italian psychological drama film directed by Michelangelo Antonioni and starring Monica Vitti and Richard Harris. Written by Antonioni and Tonino Guerra, it was Antonioni's first color film. Set in Northern Italy, the story follows a troubled woman who is unable to adapt to her environment after ...
Red Desert: Directed by Michelangelo Antonioni. With Monica Vitti, Richard Harris, Carlo Chionetti, Xenia Valderi. In an industrial area, unstable Giuliana attempts to cope with life by starting an affair with a co-worker at the plant her husband manages.
- (18K)
- Drama
- Michelangelo Antonioni
- 1965-02-08
Il deserto rosso è un film del 1964 diretto da Michelangelo Antonioni. Si tratta del nono lungometraggio di Antonioni, il primo a colori. Inizialmente doveva intitolarsi Celeste e verde. È la prima collaborazione con Carlo Di Palma come direttore della fotografia e l'ottava ed ultima con Giovanni Fusco come autore della colonna sonora
Sep 19, 2019 · Il deserto rosso by Michelangelo Antonioni. Publication date 1964 Topics Antonioni Language Italian. Red Desert English subtitles. Addeddate 2019-09-19 20:29:33 ...
- 112 min
Feb 6, 6:00 pm. Tuesday, February 6, 6:00 p.m. | In the midst of a hazardous industrial zone in Italy, a wife and mother (Antonioni muse Monica Vitti) struggles fervently to mask her fragile connection with reality from those in her vicinity. This is particularly true in her interactions with her prosperous but inattentive husband Ugo.
Oct 7, 2023 · Michelangelo Antonioni’s 1960s panoramas of contemporary alienation were decade-defining artistic events, and Red Desert, his first color film, is perhaps hi...
- 117 min
- 9.7K
- cld
May 21, 2022 · Michelangelo Antonioni’s Il deserto rosso (Red Desert, 1964) was the Italian filmmaker’s first feature in colour. This might seem like a major change for the director known for what had become his stylistic signature, namely the stylish, impossibly crisp black-and-white cinematography of his films. This look reached its apex in a trilogy ...
