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  1. What She Said: The Art of Pauline Kael

    What She Said: The Art of Pauline Kael

    2019 · Documentary · 1h 35m

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  1. What She Said: The Art of Pauline Kael is a 2018 American biographical documentary film about the life and work of the controversial New Yorker film critic Pauline Kael. The film was directed, produced and edited by Rob Garver, and features Sarah Jessica Parker as the voice of Pauline, and over 30 participants, including Quentin Tarantino ...

  2. Dec 25, 2019 · What She Said: The Art of Pauline Kael: Directed by Rob Garver. With Pauline Kael, John Guare, Lili Anolik, David Edelstein. A portrait of the work and life of controversial film critic Pauline Kael, and her battle to achieve success and influence in the 20th century movie business.

    • (1K)
    • Documentary, Biography
    • Rob Garver
    • 2019-12-25
  3. What She Said: The Art of Pauline Kael (2018) cast and crew credits, including actors, actresses, directors, writers and more.

  4. Dec 13, 2019 · The documentary is most insightful when it identifies Kael's influences, strengths and weaknesses, the last including a failed attempt to be a filmmaker herself after Warren Beatty brought her to Hollywood. As a girl who grew up on a chicken farm in Petaluma, California, she was an outsider to the conventionally genteel world of New York ...

  5. Aug 26, 2020 · Tagged by Roger Ebert as the most influential film critic of her day, the film investigates turbulent life and controversial work of Pauline Kael, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia.

  6. Dec 25, 2019 · Rob Garver. Director. Alec Baldwin. Self. John Boorman. Self. Francis Ford Coppola. Self. John Guare. Self. Molly Haskell. Self. Watchlist. TRAILER.

    • (71)
    • Documentary
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  8. Aug 31, 2018 · Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching ...

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